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Montage has been hailed as one of the key structural principles of modernity, yet its importance to the history of modern thought about cities and their architecture has never been adequately explored. In this groundbreaking new work, Martino Stierli charts the history of montage in late 19th-century urban and architectural contexts, its application by the early 20th-century avant-garde, and its eventual embrace by the postmodernist movement. With chapters focusing on photomontage, the film theories of Sergei Eisenstein, Mies van der Rohe's spatial experiments, and Rem Koolhaas's use of literary montage in his seminal manifesto Delirious New York (1978), Stierli demonstrates the centrality of montage in modern explorations of space, and in conceiving and representing the contemporary city. Beautifully illustrated, this interdisciplinary book looks at architecture, photography, film, literature, and visual culture, featuring works by artists and architects including Mies, Koolhaas, Hannah Hoech, George Grosz, El Lissitzky, and Frank Lloyd Wright.

Architecture and society. --- Architecture --- Montage (Arts). --- Eisenstein, Sergei, --- Koolhaas, Rem, --- Mies van der Rohe, Ludwig, --- Modern [style or period] --- Photography --- urban planning --- photomontages --- architecture [object genre] --- Architecture, Modern --- Architecture and society --- Montage --- Space (Architecture) --- 72.049 --- 72.037 --- Architectuur en beeldende kunst --- Kunst- en architectuurtheorie ; collage ; assemblage ; montage --- Fotomontages --- Modernisme --- Architectuur ; Postmodernisme --- Architecture and space --- Space and architectural mass --- Space in architecture --- City planning --- Arts --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Modern architecture --- Architectuur ; verschillende onderwerpen --- Architectuurgeschiedenis ; 1900 - 1950 --- Composition, proportion, etc. --- Social aspects --- Human factors --- Koolhaas, Rem. --- Mies, Ludwig, --- Mis van der Roė, Li︠u︡dvig, --- Rohe, Ludwig Mies van der, --- Rohe, Mies van der, --- Van der Rohe, Ludwig Mies, --- Misi Fan De Luo, --- Koolhaas, Remment --- Eisenstein, Sergei M., --- Eisenstein, Sergej, --- Эйзенштейн, Сергей Михайлович, --- Ėĭzenshteĭn, Sergeĭ Mikhaĭlovich, --- Айзенштайн, Сергей Михайлович, --- Aĭzenshtaĭn, Sergeĭ Mikhaĭlovich, --- Ejzenštejn, --- Ejzenštejn, S. M., --- Еисенстеин, Сергей Михайлович, --- Eisenstein, Sergeĭ Mikhaĭlovich, --- Ejzenstein, --- Ejzenstein, S. M., --- Eisenstein, --- Eisenstein, Serge, --- Eisenstein, S. M., --- Ejzenštejn, Sergej, --- Eisenstein, S. --- Эйзенштейн, С. М. --- Ėĭzenshteĭn, S. M. --- Aisan̲sṭin̲, Cerji, --- Aizenshṭain, Sergai, --- איזנשטיין , סרגיי --- Eisenstein, Serguei M., --- Architecture, Modern. --- Montage. --- Photomontage --- Perception de l'espace --- Représentation de l'espace --- Rapport art-architecture --- Rapport du créateur à l'objet créé --- Rapport du spectateur à l'objet créé --- Cinéma --- Photographie --- Eizenstein, Sergei, --- Modern movement (Architecture) --- Architecture in art --- Mouvement moderne (architecture) --- Architecture dans l'art --- Architecture et société --- Montage (Arts) --- Espace (Architecture) --- Office for Metropolitan Architecture --- 72.036 --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne bouwkunst. Architectuur van de 20e eeuw --- City Planning --- Art and architecture --- Negative space (Architecture) --- Eisenstein, Serge M., --- Eisenstein, Sergei --- photomontages [visual works]

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Learning from Las Vegas, published in 1972 by the architects Robert Venturi, Denise Scott Brown, and Steven Izenour, marks the turn in architectural theory from modern to post-modern. Martino Stierli explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and ’70s, and by evaluating the book’s enduring influence on visual studies and architectural research. Stierli provides an original, in-depth analysis of the postmodern image of the city and the representation of urban form in visual media, graphics, and typography.Referencing cinematic visualization, the authors of Learning from Las Vegas documented a sprawling postwar American city from a moving car. Stierli examines this methodology against the background of contemporary pop and conceptual art, including the work of artists Ed Ruscha and Stephen Shore. Using both text and image, Stierli assesses the broad intellectual impact of this architectural manifesto and explains why the lessons from Learning from Las Vegas remain relevant today.

Architecture --- Symbolisme en architecture --- Urbanisme --- Architecture et arts --- Illustrations --- Venturi, Robert, --- Brown, Denise Scott, --- 72 --- 711.4 --- Architectuur. Bouwkunst --- Gemeentelijke planologie. Stadsplanning. Stedenbouw --- Symbolism in architecture --- History --- Venturi, Robert. --- Scott Brown, Denise, --- Las Vegas (Nev.) --- Buildings, structures, etc. --- 711.4 Gemeentelijke planologie. Stadsplanning. Stedenbouw --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architectural symbolism --- Signs and symbols in architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- Lakofski, Denise, --- Las Vegas, Nev. --- City of Las Vegas (Nev.) --- Vegas (Nev.) --- Las-Veqas (Nev.) --- Горад Лас-Вегас (Nev.) --- Horad Las-Vehas (Nev.) --- Лас-Вегас (Nev.) --- Las-Vehas (Nev.) --- Naʼazhǫǫsh Hátsoh (Nev.) --- Λας Βέγκας (Nev.) --- Las Venkas (Nev.) --- Lasvegaso (Nev.) --- 라스베이거스 (Nev.) --- Lasŭ Peigŏsŭ (Nev.) --- 라스 베이거스 (Nev.) --- לאס וגאס (Nev.) --- Campi (Nev.) --- Lasvegasa (Nev.) --- Las Vegasas (Nev.) --- ラスベガス (Nev.) --- Rasu Begasu (Nev.) --- לאס וועגאס (Nev.) --- 拉斯维加斯 (Nev.) --- Lasi Weijiasi (Nev.) --- Lasiweijiasi (Nev.) --- Clark's Las Vegas Townsite (Las Vegas, Nev.) --- Histoire --- Constructions --- Illustrations. --- Architecture, Primitive

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If participation has been an ideal in politics since ancient democracy, in art it became central only with the avant-gardes emerging from WWI and the Russian Revolution. Politics and aesthetics are still catching up with each other. In the 21st Century, since the revolutionary unrest of the 1960s, participation in art and architecture has lost its utopian glow and become the focus of a fierce debate: does 'participatory' art and architecture shape social reality, or is it shaped by it ? Contemporary critics see in participation only technocratic control, while others embrace it as a viable politics in an era of global capitalism. This volume breaks the impasse by looking at how participants themselves exert power, rather than being victimized or liberated from it. From artists hijacking Google Earth to protesters setting up a museum of the revolution in Cairo, art, architecture, and daily life are explored in their participatory dimension.

Art and architecture --- Art --- Interactive art --- Philosophy --- Philosophy. --- Art - Philosophy --- Interactive art - Philosophy

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Art --- Interactive art --- Art and architecture --- Philosophy. --- Philosophy.

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In the forty years since the first iteration of Venice Architecture Biennale, the field of architecture has seen a remarkable change in the role played by exhibition-making. While architecture and display have long been intertwined practices, a rapid proliferation of large-scale perennial exhibitions-particularly in the twenty-first century-has resulted in the biennial / triennial becoming an integral part of our discipline, a new geography of itinerant display that has profoundly altered the contours of architectural thought. Between format, space, and content, what are the various agencies and effects of these events? Biennials / Triennials asks these questions and others of a range of curatorial agents-including After Belonging Agency, Beatriz Colomina and Mark Wigley, Sarah Herda, Adrian Lahoud, Ippolito Pestellini, and Andre Tavares-and visits crucial sites of recent exhibitions that reveal what is at stake in the newfound ubiquity of the architectural -ennial.

Architecture --- Biennials (Art fairs). --- Exhibitions. --- Philosophy. --- Biennials (Art fairs) --- Biennales (Foires d'art) --- Expositions --- Philosophie --- Biennale de Venise --- Exposition --- Stand d'exposition --- Architecture éphémère --- Interview --- Exhibitions --- Philosophy --- Biennales (Art fairs) --- Art fairs --- 725.91 --- 725.91 Tentoonstellingsgebouwen. Expositiehallen --- Tentoonstellingsgebouwen. Expositiehallen --- Architecture - Exhibitions --- Architecture - Philosophy