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"When things move, things change." Starting from this deceptively simple premise, Silvia Spitta opens a fascinating window onto the profound displacements and transformations that have occurred over the six centuries since material objects and human subjects began circulating between Europe and the Americas. This extended reflection on the dynamics of misplacement starts with the European practice of collecting objects from the Americas into Wunderkammern, literally "cabinets of wonders." Stripped of all identifying contexts, these exuberant collections, including the famous Real Gabinete de Historia Natural de Madrid, upset European certainties, forcing a reorganization of knowledge that gave rise to scientific inquiry and to the epistemological shift we call modernity. In contrast, cults such as that of the Virgin of Guadalupe arose out of the reverse migration from Europe to the Americas. The ultimate marker of mestizo identity in Mexico, the Virgin of Guadalupe is now fast crossing the U.S.-Mexico border, and miracles are increasingly being reported. Misplaced Objects then concludes with the more intimate and familial collections and recollections of Cuban and Mexican American artists and writers that are contributing to the Latinization of the United States. Beautifully illustrated and radically interdisciplinary, Misplaced Objects clearly demonstrates that it is not the awed viewer, but rather the misplaced object itself that unsettles our certainties, allowing new meanings to emerge.
Acculturation --- Collectors and collecting --- Material culture --- Museums --- Public institutions --- Cabinets of curiosities --- Culture --- Folklore --- Technology --- Collectibles --- Collecting --- Collection and preservation --- Art --- Hobbyists --- Culture contact (Acculturation) --- Development education --- Civilization --- Ethnology --- Assimilation (Sociology) --- Cultural fusion --- History --- Social aspects --- America --- Europe --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Americas --- New World --- Western Hemisphere --- Emigration and immigration --- History. --- Relations
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Spanish-American literature --- Thematology --- Latin American literature --- Spanish American literature --- Littérature latino-américaine --- Littérature hispano-américaine --- History and criticism --- Histoire et critique --- Littérature latino-américaine --- Littérature hispano-américaine --- Literatura hispanoamericana. --- 18.33 Spanish-American literature. --- 15.85 history of America. --- Literatura latinoamericana. --- Latin American literature. --- Spanish American literature. --- Spanish. --- Literature. --- Urbanism. --- Cities. --- History and criticism. --- Histoire et critique. --- Mexico. --- Mexico City. --- Latin America.
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“The Americas, Otherwise” explores the growing influence of the study of the Americas—variously referred to as Americas Studies, Transamerican Studies, Hemispheric Studies, and Interamerican Studies—on the field of comparative literature. The essays in this special issue suggest the centrality of comparative studies of the Americas to the revision of the discipline as a whole, as well as to intellectual practice in other disciplines. These essays foreground the work of important hemispheric writers, artists, and public intellectuals such as Roberto Bolaño, Alejo Carpentier, Aimé Césaire, Gabriel García Márquez, Édouard Glissant, José Martí, Ricardo Piglia, and Leopoldo Zea. Topics include migration to the Americas from Asia, Europe, and Africa; hemispheric exceptionalisms since the establishment of the first colonies; the interdisciplinary foundations of border studies; theories of the neobaroque and their application to Latin American cultural formations; Latino critical theory; and the emergence of a southern theory inclusive of the intellectual work of often-marginalized cultures.
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Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.
American fiction --- Authors, American --- Short stories, American --- Bio-bibliography --- Biography --- Nouvelles américaines --- Roman américain --- Ecrivains américains --- History and criticism --- Dictionaries --- Histoire et critique --- Biobibliographie --- Biographie --- Dictionnaires anglais --- American short stories --- English --- Languages & Literatures --- American Literature --- American literature --- American authors --- Fiction --- anno 1900-1999 --- Short stories [American ] --- 20th century --- Authors [American ] --- Short stories, American. --- Short stories. --- American fiction. --- Biography.
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