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323 <83> --- Agriculture and state --- -Land reform --- -Agrarian reform --- Economic policy --- Land use, Rural --- Social policy --- Agrarian question --- Agricultural policy --- Agriculture --- State and agriculture --- Land reform --- Binnenlandse politiek--Chili --- History --- -History --- -Government policy --- Chile --- Politics and government --- -Agriculture and state --- -Binnenlandse politiek--Chili --- -Chile --- -323 <83> --- 323 <83> Binnenlandse politiek--Chili --- Chili --- Cile --- Chih-li --- Ts'ileh --- República de Chile --- Republic of Chile --- チリ --- Chiri --- Чили --- Çili Respublikası --- Чылі --- Chyli --- Рэспубліка Чылі --- Rėspublika Chyli --- Tsile --- Republika Čile --- Xile --- República de Xile --- Chilská republika --- Gweriniaeth Tsile --- Republikken Chile --- Republik Chile --- Chilska --- Republika Chilska --- Tšiili --- Tšiili Vabariik --- Χιλή --- Δημοκρατία της Χιλής --- Dēmokratia tēs Chilēs --- Cîl --- Чили Мастор --- Chili Mastor --- Чили Республикась --- Chili Respublikasʹ --- Ĉilio --- Ĉilia Respubliko --- Repúbrica de Chili --- Txile --- Txileko Errepublika --- Kili --- Lýðveldið Kili --- République du Chili --- Sily --- Ciile --- Ndenndaandi Ciile --- An tSile --- Yn Çhillee --- Çhillee --- Pobblaght ny Shillee --- Shillee --- An t-Sile --- t-Sile --- Tilì --- Poblachd na Sile --- Чилмудин Орн --- Chilmudin Orn --- Ch'ille --- Lepupalika ʻo Chile --- Republik Chili --- iChile --- ITshile --- Síle --- Lýðveldið Síle --- Repubblica del Cile --- צ'ילה --- Tsilah --- רפובליקה של צ'ילה --- Republiḳah shel Tsilah --- Agrarian reform --- Government policy

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This study aims to present the experience of architecture co-generated with poetry found at the far southern tip of the Americas in Chile. An experience that listens to the inaugural poetic word, then seeks to open a field that will enable construction of its origin and, within it, to formulate the primordial question, namely: the destiny of the American being, a question common to all trades, which is listened for here in the rhythm given to action. The thesis focuses on the study of the Open City: its origins and generation. Its creative sphere and architecture, which is the product of the poetic orientation of a poetry known as "ha lugar," a poetry that seeks to merge life with work and study. To this end, a subject was chosen that is common to all trades and that, in the context of this architecture, is cross cutting, namely: hospitality. Thus, not only is the architecture itself laid out, but an attempt is made to explain the whole, the so-called "creative sphere" of the Workshops, where people think, plan and ultimately build together, giving rise to a passage of time they call "tempo," of which they render public accounts every ten years. The foregoing points are the general objectives of the thesis. It is structured as follows: First, the location: Chile. The City− not settlement− with a founding act. From the viewpoint of being a city, striving to be it and not merely become it in time. Hence, the most public aspect serves as the starting point: the agora, where anyone may take the floor. The Open City. Not only as opposed to our own cities. Open to the trade of architect, which is constantly being reinvented. Open to reawakening the world's passions. The Open City of Amereida. It is the epic poetry of America, the poetry of "ha lugar," the American Aeneid. It is poetry that explores the sense and meaning of being American, that probes the destiny of Americans in this land that was not discovered but given, invented. Amereida proposes a direction for the continent, a change of bearings. "Thesis of the North itself." Guidance descending the Southern Cross. The Open City of Amereida: Architecture. Conceived of as the trade through which man acts in the world, creating it through co-generation with poetry. A guided extension that accommodates. Spaces conceived of in the creative rigor of the foundation, which gives rise to form, made possible through observation. The Open City of Amereida: Architecture from. That is, to have a starting point, a point of view, a theory grounded in direct observation through drawing and text, which constitutes the theoretical basis that is the foundation, along with the architectural elements of the Open City. The Open City of Amereida: Architecture from Hospitality. Understood as that perhaps noblest of all human acts that consists of truly hearing the other. It can thus be understood and seen that to offer a home is to enter the other observing in order to reveal the happening, to present it. To accommodate is to comprehend that the task is to accommodate the other fully. The specific objectives of the thesis are: 1. To lay out this experience, endeavoring not to offer it as a model, but simply as part of the architecture. Hence, the preference for showing, rather than disseminating. 2. To lay out the genesis of the architectural work: taking the postulate of hospitality and broadening its significance to habitable space. An experience that seeks to approach architecture from an internal foundation, which is achieved through observation. The methodology used was as follows: 1. To gather and compile virtually all original, unpublished texts and use them to form a corpus, the theoretical foundation of the aforementioned endeavor. 2. To visit the works and record the experiences of those who dwell in this place. 3. To reflect, while analyzing six selected works, in order to discover the acts that originated them and understand the collective method, known as "round," that was used. A reflective analysis of the works, along with the texts of poets, philosophers and architects, to sound out the word "hospitality" from the viewpoints of the different trades. The thesis is composed of three corpuses: the thesis itself; the key texts making up the theoretical approach; the texts explaining the work performed by the doctoral student.

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Economic development --- Planners --- Planning --- Congresses --- Developing countries --- Economic policy --- Congresses.

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