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Sculpture --- sculpture [visual works] --- Liebieghaus Skulpturensammlung [Frankfurt am Main] --- anno 1940-1949 --- anno 1930-1939 --- beeldhouwwerken --- nationaal-socialisme --- roofkunst --- Wereldoorlog II --- museumbeleid --- Liebieghaus (Frankfurt am Main) --- sculpturen --- sculpturen. --- nationaal-socialisme. --- roofkunst. --- Wereldoorlog II. --- museumbeleid. --- Liebieghaus (Frankfurt am Main). --- Sint-Maartenskerk (Ieper). --- retabels. --- Poucke, Charles van. --- Ieper.

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Ottilie W. Roederstein, born to German parents in Zurich in 1859, was one of the leading painters in the German-speaking world during her lifetime. She also enjoyed early recognition in Paris. As one of the few women of her time, she successfully dedicated her entire life to art and led an unconventional but respected existence in Germany together with her partner, the gynecologist Elisabeth H. Winterhalter. Although Roederstein's early work adhered to the conventions of the academy, the painter increasingly opened herself up to other currents in her more mature work and in the 1920s found her way to an austere, objective visual vocabulary. Despite her international reputation as a portraitist and painter of still lifes, Roederstein fell into oblivion almost immediately after her death in 1937. Now, after several decades, the Kunsthaus Zürich and the Städel Museum in Frankfurt am Main are presenting the first monographic show of her work, accompanied by this comprehensive catalogue.

Art styles --- Painting --- patronage --- biographies [documents] --- easel paintings [paintings by form] --- Modern [style or period] --- portraits --- Roederstein, Ottilie Wilhelmine --- Städel Museum (Frankfurt) --- Roederstein, Ottilie W. --- Portrait painting, Swiss --- Portrait drawing --- Roederstein, Ottilie W., --- Swiss portrait painting --- Portraiture --- Drawing --- Städel Museum (Frankfurt). --- biographies [literary works]