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Fachpublikum/ Wissenschaft. --- Germanistik. --- Ich (Motiv). --- Ich --- Individualität. --- Literaturwissenschaft. --- Moralistik. --- Negative Anthropologie. --- Paperback / softback. --- Reflexion. --- Selbstgefühl. --- Subjektivität. --- (Motiv). --- Jacobi, Friedrich Heinrich. --- Jacobi, Friedrich Heinrich. --- Moritz, Karl Philipp. --- Moritz, Karl Philipp. --- Tieck, Ludwig. --- Tieck, Ludwig.
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The theory of Blending, or Conceptual Integration, proposed by Gilles Fauconnier and Marc Turner, is one of most promising cognitive theories of meaning production. It has been successfully applied to the analysis of poetic discourse and micro-textual elements, such as metaphor. Prose narrative has so far received significantly less attention. The present volume aims to remedy this situation. Following an introductory discussion of the connections between narrative and the processes of blending, the contributions demonstrate the range of applications of the theory to the study of narrative. They cover issues such as time and space, literary character and perspective, genre, story levels, and fictional minds; some chapters show how such phenomena as metalepsis, counterfactual narration, intermediality, extended metaphors, and suspense can be fruitfully studied from the vantage point of Conceptual Integration. Working within a theoretical framework situated at the intersection of narratology and the cognitive sciences, the book provides both fresh readings for individual literary and film narratives and new impulses for post-classical narratology.
Cognitive psychology --- Fiction --- Literary rhetorics --- 82-3 --- Proza. Fictie. Narratologie --- Discourse analysis, Narrative. --- Narration (Rhetoric) --- Concepts. --- Thought and thinking. --- 82-3 Proza. Fictie. Narratologie --- Narration (Rhetoric). --- Concepts --- Discourse analysis, Narrative --- Thought and thinking --- Mind --- Thinking --- Thoughts --- Educational psychology --- Philosophy --- Psychology --- Intellect --- Logic --- Perception --- Psycholinguistics --- Self --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Narrative discourse analysis --- Concept formation --- Abstraction --- Knowledge, Theory of --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Narratology. --- cognitive narratology.
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The British have been involved in numerous wars since the Middle Ages. Many, if not all, of these wars have been re-constructed in historical accounts, in the media and in the arts, and have thus kept the nation's cultural memory of its wars alive. Wars have influenced the cultural construction and reconstruction not only of national identities in Britain; personal, communal, gender and ethnic identities have also been established, shaped, reinterpreted and questioned in times of war and through its representations. Coming from Literary, Film and Cultural Studies, History and Art History, the contributions in this multidisciplinary volume explore how different cultural communities in the British Isles have envisaged war and its significance for various aspects of identity-formation, from the Middle Ages through to the 20th century.
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History of civilization --- History of the United Kingdom and Ireland --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1999 --- Travelers --- Tourism --- Voyageurs --- Tourisme --- History --- Histoire --- Great Britain --- Grande-Bretagne --- Description and travel --- Descriptions et voyages --- History. --- -Travelers --- -Travellers --- Voyagers --- Wayfarers --- Persons --- Voyages and travels --- Holiday industry --- Operators, Tour (Industry) --- Tour operators (Industry) --- Tourism industry --- Tourism operators (Industry) --- Tourist industry --- Tourist trade --- Tourist traffic --- Travel industry --- Visitor industry --- Service industries --- National tourism organizations --- Travel --- Economic aspects --- -History. --- -History --- Travellers --- Travelers - Great Britain - History. --- Tourism - Great Britain - History. --- Tourism - Great Britain - History --- Great Britain - Description and travel - History
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From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing 'new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
English poetry --- Anthologies --- Gedichten. --- Bloemlezingen. --- Engels. --- Anthologie. --- Lyrik. --- History and criticism. --- Blaubeuren <1999> --- Englisch. --- Blaubeuren <1999>. --- History and criticism --- Chrestomathies --- Collected papers (Anthologies) --- Collections (Anthologies) --- Papers, Collected (Anthologies) --- Readings (Anthologies)
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