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This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Antiheroes on television. --- Television --- Motion pictures and television. --- Ethnology-Europe. --- Screen Studies. --- European Culture. --- Moving-pictures and television --- Television and motion pictures --- Ethnology—Europe.
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Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy
Mafia in motion pictures. --- Gangster films --- Psychic trauma in motion pictures. --- Motion pictures and women. --- Women and motion pictures --- Women --- Motion pictures --- Bandit gangster films --- Gang films --- Gangland films --- Hoodlum drama (Motion pictures) --- Mafia films --- Organized crime films --- Outlaw-couple films --- Outlaw gangster films --- Rural bandit films --- Syndicate films --- Syndicate-oriented films --- Crime films --- History and criticism. --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Mafia in motion pictures. --- -Italia
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This book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Higher education --- Ethnology. Cultural anthropology --- Film --- Television play --- History of civilization --- HO (hoger onderwijs) --- etnologie --- TV (televisie) --- film --- Europese cultuur --- Europe
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Gangster films --- Mafia in motion pictures --- History and criticism
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Higher education --- Ethnology. Cultural anthropology --- Film --- Television play --- History of civilization --- HO (hoger onderwijs) --- etnologie --- TV (televisie) --- film --- Europese cultuur --- Europe
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This study offers a clear, concise introduction to the Fascist-era practice, know as confino , of exiling antifascist dissidents to parts of Italy far from the dissidents' homes, often on islands or in tiny inland villages. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses on representations of confinement in literature and film. It examines the varieties of self-expression (e.g. memoirs, letters and literature) used by prisoners to describe their experiences, investigates how filmmakers interpret these events, places and people, and explores how film portrays the repression of homosexuality. A timely examination of the birthplace of European federalism, the book also contributes to our understanding of the legacy of confinement from both national and European perspectives. " Internal exile in Fascist Italy offers a clear and concise introduction to confino, a form of imprisonment used during the Fascist ventennio that saw antifascist dissidents exiled to remote islands or tiny inland villages. The book examines confino from a historical, political, social and cultural perspective, through both a broad overview and close analyses of particular cases and situations. The book is organised in two sections. Part one provides a case study of the political colony on the island of Lipari and a historical overview of internal exile. Part two focuses representations of confinement in literature and film. It examines the varieties of self-expression -memoirs, letters, and literature - used by prisoners to describe their experiences and investigates how filmmakers interpret these events, places, and people; particularly exploring how film portrays the repression of homosexuality. The act of confinement was a tool that allowed Mussolini to bypass the judiciary, and to targeted political dissidents, ethnic and religious minorities, and members of the gay community among others. This book seeks to contextualise a political practice that continues to find applications in twenty-first-century detention policies; and to enhance the understanding of how contemporary social discourse promotes political agendas rooted in issues - such as populism, anti-terrorism, nationalism and ethnocentrism - that are historically related to Fascism's suppression of dissidents Internal exile in Fascist Italy offers a coherent and accessible portrait of confino in its various manifestations. The authors argue that internal exile is not purely political: it possesses a cultural history that speaks to the present. Although directed towards students and specialists of Italian history, literature, film and culture, the study is accessible to those with a general interest in Fascism." --Back cover.
Fascism --- Political prisoners --- Detention of persons --- Exile (Punishment) --- Fascism in motion pictures. --- History --- 1900-1999 --- Italien --- Italy. --- European federalism. --- confino. --- exile experience. --- exile. --- fascism. --- fascist Italy. --- imprisonment. --- internal exile. --- political colonies. --- ventennio.
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Confino (i.e., internal exile) was a malleable form of imprisonment during the Fascist ventennio. Confinement allowed Mussolini to bypass the judiciary thereby placing prisoners outside magistrates’ jurisdiction. The Regime applied it to political dissidents, ethnic and religious minorities, gender nonconforming people, and mafiosi, among others. Recent political discourse in and beyond Italy has drawn on similar rationales to address perceived threats against the State. This study examines confino from a historical, political, social, and cultural perspective. It provides a broad overview of the practice and it also examines particular cases and situations. In addition to this historical assessment, it is the first to analyse confinement as a cultural practice through representations in literature (e.g., letters, memoirs, historical fiction) and film. English-language publications often overlook confino and its representations. Italian critical literature, instead, often speaks in purely historical terms or is rooted in partisan perspectives. This book demonstrates that internal exile is not purely political: it possesses a cultural history that speaks to the present. The scope of this study, therefore, is to provide a cultural reading that makes manifest aspects of confino that have been appropriated by contemporary political discourse. Although directed towards students and specialists of Italian history, literature, film, and culture, the study offers a coherent portrait of confino accessible to those with a general interest in Fascism.
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