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791.43:2 --- 791.44 <73> --- Film en religie. Film en godsdienst --- Filmproductie. Filmindustrie--Verenigde Staten van Amerika. VSA. USA --- Jesus Christ --- -Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Jezus --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- In motion pictures --- -In motion pictures --- 791.44 <73> Filmproductie. Filmindustrie--Verenigde Staten van Amerika. VSA. USA --- 791.43:2 Film en religie. Film en godsdienst --- Christ --- In motion pictures. --- عيسىٰ
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226.5 --- Evangelie volgens Johannes --- Bible. --- Jean (Book of the New Testament) --- Johanisi (Book of the New Testament) --- Johannesevangelium --- John (Book of the New Testament) --- Yohan pogŭm --- Yohane den (Book of the New Testament) --- Yūḥannā (Book of the New Testament) --- Criticism, interpretation, etc. --- Theology. --- Bible NT. Gospels. John --- Ioganaĭ (Book of the New Testament) --- Иоганай (Book of the New Testament)
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Anonymous characters, such as Lot's wife, are common in the Hebrew Bible, appearing in a variety of roles. This book examines whether there is a 'poetics of anonymity', and, if so, what its contours and effects are.
Names in the Bible. --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Criticism, interpretation, etc. --- Psychology. --- Names in the Bible --- 221.06 --- 221.06 Oud Testament: hermeneutiek; exegese --- Oud Testament: hermeneutiek; exegese
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Adele Reinhartz has been studying and teaching the Gospel of John for many years. Earlier, she chose to ignore the love/hate relationship that the book provokes in her, a Jew, and took refuge in an objective historical-critical approach. At this stage her relationship to the Gospel was not so much a friendship as a business relationship. No longer willing to ignore the negative portrayal of Jews and Judaism in the text, nor the insight that her own Jewish identity inevitably does play a role in her work as an exegete, Reinhartz here explores the Fourth Gospel through the approach known as ethi
Bible. --- Jean (Book of the New Testament) --- Johanisi (Book of the New Testament) --- Johannesevangelium --- John (Book of the New Testament) --- Yohan pogŭm --- Yohane den (Book of the New Testament) --- Yūḥannā (Book of the New Testament) --- Criticism, interpretation, etc. --- Theology. --- Ioganaĭ (Book of the New Testament) --- Иоганай (Book of the New Testament)
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Judaism (Christian theology) --- Christianity and other religions --- Judaism --- Christianity and antisemitism --- Biblical teaching --- Judaism --- Biblical teaching --- Relations --- Christianity --- Biblical teaching --- Biblical teaching --- Bible. --- Criticism, interpretation, etc.
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Judaism (Christian theology) --- Christianity and other religions --- Judaism --- Biblical teaching --- Relations --- Christianity --- Bible. --- Criticism, interpretation, etc.
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"This is a comprehensive introduction to the ways in which the Bible has been used and represented in mainstream cinema. Adele Reinhartz considers the pervasive use of the Bible in feature films, and the medium of film as part of the Bible's reception history. The book examines how films draw on the Old and New Testament and the figure of Jesus Christ in various direct and indirect ways to develop their plots, characters, and themes. As well as movies that set out explicitly to retell biblical stories in their ancient context, it explores the ways in which contemporary, fictional feature films make use of biblical narrative. Topics covered include:how filmmakers make use of scripture to address and reflect their own time and place.the Bible as a vehicle through which films can address social and political issues, reflect human experiences and emotions, explore existential issues such as evil and death, and express themes such as destruction and redemption.the role of the Bible as a source of ethics and morality, and how this connection is both perpetuated and undermined in a range of contemporary Hollywood films. films that create an experience of transcendence, and the ways in which the Bible figures in that experience.Reinhartz offers insightful analysis of numerous films including The Ten Commandments and The Shawshank Redemption, paying attention to visual and aural elements as well as plot, character, and dialogue. Students will find this an invaluable guide to a growing field"--
Motion pictures --- Religious aspects --- Biblia --- In motion pictures.
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