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Aesthetics --- Benjamin, Walter --- Warburg, Aby --- Art historians --- Historiens d'art --- Warburg, Aby, --- Benjamin, Walter, --- Criticism and interpretation. --- Art --- Philosophy, Comparative. --- Historiography. --- -Philosophy, Comparative --- Comparative philosophy --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Historiography --- -Warburg, Aby --- -Benjamin, W. --- Criticism and interpretation --- -Criticism and interpretation --- Philosophy, Comparative --- Warburg, Aby Moritz, --- Benjamin, W. --- Art - Historiography. --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터,

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Nietzsche, Aesthetics and Modernity analyses Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the counter-movement to modern nihilism. Drawing on the full range of his published and unpublished writings, together with his comments on figures as diverse as Wagner, Zola, Delacroix and Laurence Sterne, it highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice. As such, Nietzsche the dialectician articulates a position that proves to be intimately connected to the negative dialects of Theodor Adorno.

Aesthetics [Modern ] --- Esthetica (Moderne filosofie) --- Esthetica [Moderne ] --- Esthétique (Philosophie moderne) --- Esthétique moderne --- Modern aesthetics --- Moderne esthetica --- Aesthetics, Modern. --- Nietzsche, Friedrich Wilhelm --- Aesthetics --- Arts and Humanities --- Philosophy --- Nietzsche, Friedrich Wilhelm, --- Aesthetics. --- Nietzsche, Friedrich --- Nietzsche, Friederich

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"A critical study of the growing use of evolutionary theory and neuroscience to interpret art. Explores the question of what is gained from using ideas and methods from the biological sciences in the analysis of art"--Provided by publisher.

Art and biology. --- Neurosciences and the arts. --- Art --- Evolution (Biology) in art. --- Biology and art --- Biology --- Arts and neurosciences --- Arts --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Philosophy. --- Analysis, interpretation, appreciation --- Philosophy of nature --- Evolution. Phylogeny --- Physiology of nerves and sense organs --- art [fine art] --- biological sciences --- evolution --- senses --- Darwin, Charles --- Charles Darwin. --- Darwinism. --- art. --- biological science. --- biology. --- cultures. --- histpry. --- humanities. --- memes. --- neuroaesthetics. --- neuroarthistory. --- neuroscience. --- scholarship. --- science. --- art [discipline]

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art history --- methodology --- historiografie van de kunstgeschiedenis --- anno 1800-1899 --- Vienna

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An introduction to the study of visual culture, this book offers a view of 'visual culture' that includes not only images, but also other visual media and forms of expression, from architecture to fashion, design and the human body. The book is organized around three broad themes, exploring key ideas and debates that have occurred during the last 20 or so years: the meanings of the term 'visual culture' and of the various practices that form its basis conceptual approaches to the contemporary analysis of visual culture the cultural, social and historical contexts informing its production, distribution and consumption. Drawing on a wide range of examples from the last 100 years, the book adopts a cross-disciplinary perspective; it also explores, however, the limits of visual culture as an interdisciplinary field of study, engaging in current debates about the uses and value of the study of visual culture. It will therefore be of value both for readers new to the subject and also for those seeking fresh interventions into contemporary discussions within the field. Key Features Accessibly written by a team of experts in the field Illustrated throughout Includes chapters on a wide range of visual forms, including architecture and urban design, film, crafts, fashion, design, fine art and the media.

Visual communication. --- Art. --- Design. --- Film.