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book (5)


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Book
African form and imagery : Detroit collects
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ISBN: 0895581450 Year: 1996 Publisher: Detroit (Mich.) : Detroit institute of arts,

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Book
Through African eyes : the European in African art, 1500 to present /.
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ISBN: 9780895581631 0895581639 Year: 2010 Publisher: Detroit Detroit Institute of Arts

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Wrapped with pride : Ghanaian kente and African American identity
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ISBN: 9780930741693 Year: 1998 Publisher: Los Angeles : UCLA Fowler Museum of Cultural History,

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Aklama : helper spirits of the Ewe and Dangme from the study collection of Horst Antes
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ISBN: 9783981802603 Year: 2016 Publisher: Frankfurt am Main Studienstiftung Horst Andes

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Book
Anders gesehen : Afrikanische Keramik aus der Sammlung Herzog Franz von Bayern

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In July 2017, an extraordinarily diverse, exquisite, and extensive collection of African ceramics from the nineteenth to the twenty-first century from the collection of Franz, Duke of Bavaria was given to Die Neue Sammlung as a donation and permanent loan. It includes exemplary works from various regions of Africa with an emphasis on ceramic vessels. In its scope, the precision of its selection, and the quality of the individual works, this collection, which Franz, Duke of Bavaria has been building since the 1970s, is considered one of the most internationally significant collections of African ceramics. Until now, the collection has only been well-known to a few, although it is highly regarded in professional circles. Die Neue Sammlung will therefore honor this generous gift with a comprehensive exhibition of over 250 objects starting on September 27. The title Anders gesehen (A different perspective) points to a distinctive aspect of this new contextualization. In a museum of design and applied art, the African ceramics can be seen first and foremost from a creative and artistic point of view and received from different perspectives. This renders a presentation possible, that establishes a new, design-focused viewpoint. The exhibition will provide information on the wealth of forms and functions of the African ceramics, as well as the different contexts of their creation. Instead of a presentation organized by region, as is customary in ethnographic museums, this exhibition offers a design-historical examination of the vessels and figures, starting from the objects themselves. This approach enables a new, fresh look at ceramic production in Africa, examining form, function, decor, and materiality.

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