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Que pense le cinéma contemporain d'un monde où la fiction semble parfois dépasser la réalité, et où la (prétendue) vérité par l'image fait l'objet des manipulations les plus grossières ? À l'occasion du 40e anniversaire du festival Cinéma du réal, plus de quarante cinéastes et critiques apportent leur réponse à cette question : "Qu'est-ce que le réel ?

Réalité --- Cinéma --- Philosophie et cinéma. --- Au cinéma --- Esthétique --- film --- eenentwintigste eeuww --- Williams Eduardo --- Weerasethakul Apichatpong --- Vaz Ana --- Trinh T. Minh-ha --- Stratman Deborah --- Simon Claire --- Russell BEn --- Rosi Gianfranco --- Ricci-Lucchi Angela --- Rey Nicolas --- Pereda Nicolás --- Perceval Elisabeth --- Paravel Véréna --- Neyrat Cyril --- Moullet Luc --- Minervini Roberto --- Massadian Valérie --- Martin Raya --- Mari Narimane --- Marcello Pietro --- Maddin Guy --- Klotz Nicolas --- Klein William --- Khoshnoudi Bani --- 791.41 --- 791.471 AAAA --- Kerrigan Lodge --- Joreige Khalil --- Hadjithomas Joana --- Green Eugène --- Grandrieux Philippe --- Gianvito John --- Gianikian Yervant --- Frodon Jean-Michel --- Everson Kevin Jerome --- Dumont Bruno --- Creton Pierre --- Chiha Patric --- Chessel Luc --- Castaing-Taylor Lucien --- Burnett Charles --- Brenez Nicole --- Beckermann Ruth --- Benning James --- Béghin Cyril --- Baudelaire Éric --- Atherton Claire --- realisme --- subjectiviteit --- objectiviteit --- filmtheorie --- Cinéma du réel --- Au cinéma. --- Esthétique. --- Film

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The first encompassing publication on the work of Adam Pendleton, one of the most formally inventive and conceptually rigorous American artists working todayAdam Pendleton's original and powerful body of work has been described as the embodiment of a new era. His multifaceted projects, which include painting, collage, film, and publishing, re-contextualize historical and theoretical positions on abstraction, blackness, and the avant-garde. Working predominantly in black-and-white, Pendleton often creates 'total works' that envelop viewers and push the limits of contemporary discourse.A rising star in the international art scene, Pendleton is currently represented by PACE in New York, London, and Hong Kong; Shane Campbell in Chicago; David Kordansky in Los Angeles; Max Hetzler in Berlin; Pedro Cera in Lisbon; and Eva Presenhuber in Zurich.

Art --- installations [visual works] --- spray painting --- social history --- racial discrimination --- video art --- easel paintings [paintings by form] --- texts [documents] --- black-and-white [colors] --- graffiti art --- Pendleton, Adam --- Artists --- kunst --- 7.071 PENDLETON --- boekdesign --- boeken --- Black Dada --- kunst en politiek --- performances --- performance --- collages --- collage --- film --- Afro-Amerikaanse kunst --- Verenigde Staten --- eenentwintigste eeuw --- Pendleton Adam --- Pendleton, Adam, --- Criticism and interpretation. --- Thema's in de kunst ; Black Lives Matter --- Beeldende kunst ; Verenigde Staten ; 21ste eeuw --- Beeldende kunst ; 21ste eeuw ; Black Dada --- Pendelton, Adam (°1984, Richmond, Virginia) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- paintings [visual works]