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"When Zulu women potters innovate or move to a more urban setting, they are asked why they have abandoned tradition. Yet when they continue to follow convention or choose to stay in rural areas, art historians speak of their work as unchanging symbols of the past. Burnished rejects both stereotypes, acknowledging the agency of rural women as innovative artists and complex individuals negotiating a biased set of power structures. Featuring 90 color images, Burnished engages directly with individual artists and specific vessels, fracturing assumptions that Zulu ceramicists are resistant to rural transformation and insulated from urban realities. Elizabeth Perrill shares compelling narratives of women ceramic artists and the sophisticated beer pots they create--their aesthetic choices, audiences, production, and artistic lives. Simultaneously, Perrill documents the manner in which and reasons why ceramic arts, and at times the artists themselves, capitalize upon bucolic stereotypes of rural womanhood, are constrained by artistic methods, or chafe against definitions of what qualifies as a Zulu pot. Revealing how White South Africans and global art gatekeepers have continually twisted the designation of Zulu ceramics before, during, and after apartheid, Burnished provides an engaging look at the artistry of entrepreneurial Black women too often erased from historical records.--Cover.
Pottery, Zulu --- Pottery, South African. --- Women potters --- Women and the arts
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In July 2017, an extraordinarily diverse, exquisite, and extensive collection of African ceramics from the nineteenth to the twenty-first century from the collection of Franz, Duke of Bavaria was given to Die Neue Sammlung as a donation and permanent loan. It includes exemplary works from various regions of Africa with an emphasis on ceramic vessels. In its scope, the precision of its selection, and the quality of the individual works, this collection, which Franz, Duke of Bavaria has been building since the 1970s, is considered one of the most internationally significant collections of African ceramics. Until now, the collection has only been well-known to a few, although it is highly regarded in professional circles. Die Neue Sammlung will therefore honor this generous gift with a comprehensive exhibition of over 250 objects starting on September 27. The title Anders gesehen (A different perspective) points to a distinctive aspect of this new contextualization. In a museum of design and applied art, the African ceramics can be seen first and foremost from a creative and artistic point of view and received from different perspectives. This renders a presentation possible, that establishes a new, design-focused viewpoint. The exhibition will provide information on the wealth of forms and functions of the African ceramics, as well as the different contexts of their creation. Instead of a presentation organized by region, as is customary in ethnographic museums, this exhibition offers a design-historical examination of the vessels and figures, starting from the objects themselves. This approach enables a new, fresh look at ceramic production in Africa, examining form, function, decor, and materiality.
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