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Greek drama (Comedy) --- History and criticism. --- Strattis, --- Strattis --- Criticism and interpretation. --- History and criticism --- Critique et interprétation.
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Greek drama (Comedy) --- Comédie grecque --- History and criticism. --- Histoire et critique --- Alcaeus --- Ameipsias --- Apollophanes --- Criticism and interpretation. --- Criticism and interpretation --- Comédie grecque --- Greek wit and humor --- Greek poetry, Hellenistic --- Alcée --- Apollophanes, --- Apollophane --- Critique et interprétation --- Histoire et critique. --- Critique et interprétation. --- Alcaeus. --- Amipsias. --- Ἀπολλοφάνης --- Alkaios --- Alkaios van Mytilene --- Alcaeus van Mytilene --- Alcée --- Critique et interprétation.
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Tragédie grecque --- Athens (Greece) --- Athens (Greece), --- Aristophanes. --- Aristophanes --- Criticism, Textual. --- Tragédie grecque
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Greek drama (Comedy) --- Poets, Greek --- Dramatists, Greek --- History and criticism. --- Nicochares --- Philonicus. --- Philyllius. --- Poliochus. --- Polyzelus. --- Sannyrion --- Theochares --- Xenophon --- a Xenophon --- Xenofon --- Xenofoon --- Xenophoon --- Jenofonte --- Jenófanes --- Ksenofont --- Xenofón --- Senofonte --- Kısenofon --- Pseudo-Senofonte --- Kʻsenopʻonti --- Pseudo-Xenophon --- כסינופון --- زينوفون --- كزنوفون --- گزنفون --- Xenofont --- Ξενοφῶν --- Σαννυρίων --- Polyzēlos --- Πολύζηλος --- Poliochos --- Πολίοχος --- Philyllios --- Φιλύλλιος --- Philonikos --- Φιλόνικος --- Νικοχάρης --- Nikocharēs --- Philonides,
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Joachim Camerarius, der bedeutendste Philologe des protestantischen Deutschland im 16. Jahrhundert, ist auch als Dichter hervorgetreten. Seine besondere Wertschätzung und Liebe galt der Hirtendichtung. In diesem Band sind sämtliche Eklogen des Autors, ergänzt durch einen Materialienanhang, kritisch herausgegeben, übersetzt und eingehend kommentiert. Die Einleitung bietet eine Kurzbiographie des Autors nebst Hinweisen zu seinen sonstigen poetischen Werken, eine Übersicht über den Stand der Camerarius-Forschung und eine Analyse von Camerarius' bukolischem Gesamtwerk unter thematischen und gattungsgeschichtlichen Aspekten.
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Greek drama (Comedy) --- Comédie grecque --- Criticism, Textual. --- Critique textuelle --- Critique textuelle. --- Comédie grecque --- Classical drama (Comedy) --- History and criticism. --- Aristomenes, --- Aristonymus, --- Autocrates, --- Demetrius --- Diocles --- Epilycus, --- Eunicus, --- Cephisodorus, --- Crates --- Lysias --- Metagenes, --- Criticism and interpretation. --- Aristomenes. --- Aristonymos --- Autokrates --- Demetrius. --- Diokles --- Epilykos --- Eunikos --- Kephisodoros --- Lysias. --- Metagenes --- Lusias --- Lisia --- Lisias --- Λυσίας --- Crates, --- Krates, --- Dēmētrios --- Demetrio
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Greek drama (Comedy) --- History and criticism --- Aristophon --- Athenocles --- Augeas --- Axionicus --- Choregus --- Choregion --- Demonicus --- Dionysius --- Dioxippus --- Dromon --- Dioxippos --- Dionysios --- Athenokles --- Aristopho --- Aristofon --- Aristophoon --- Aristofoon --- Aristophon, --- Demonikos --- Choregos --- Axionikos --- Axiònic --- Augeas Comicus --- Augeas Atheniensis
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Visual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between 'seeing' and 'knowing' in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts 'gaze', 'vision' and 'visuality' are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to 'follow the gaze' of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses.
Gaze in literature. --- Greek literature --- Greek literature. --- Vision in literature. --- History and criticism. --- Ancient Greek gaze. --- performance. --- vision. --- visuality.
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