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When these essays first appeared in *Artforum* in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated - the three issues of *Artforum* in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes "The Gallery as Gesture," a critically important piece published ten years after the others.

O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system.

These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (O'Doherty exhibits his work as Patrick Ireland) and the precision of the scholar.

Space (Art) --- Installations (Art) --- Environment (Art) --- Art --- Artists' writings --- Espace (Art) --- Environnement (Art) --- Ecrits d'artistes --- Exhibition techniques --- Techniques d'exposition --- Brian O'Dohert ; Introduction by Thomas McEvilley --- kunst --- twintigste eeuw --- galeries --- tentoonstellingen --- museologie --- installaties --- kunsttheorie --- receptie-esthetica --- Klein Yves --- Duchamp Marcel --- Mondriaan Piet --- Matisse Henri --- Lissitzky El --- Buren Daniël --- happenings --- Schwitters Kurt --- fotografie --- Christo --- Levine Les --- 069 --- 7.01 --- Mondrian Piet --- Environment (Art). --- Installations (Art). --- Space (Art). --- exhibitions [events] --- tentoonstellingsbouw --- Installation art --- Art, Modern --- Assemblage (Art) --- Kunsttheorie ; over de mythe van de neutraliteit van gallerijen --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Negative space (Art) --- Aesthetics of art --- installations [visual works] --- space [composition concept] --- environmental art --- art criticism

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Art galleries, Commercial. --- Artists' studios in art. --- Artists' studios.

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Les quatre essais que Brian O 'Doherty publié entre 1976 et 1981 et qui ont été rassemblés sous le titre collectif "À l'intérieur du Cube Blanc, " invente un des plus de valeur "les boîtes à outils " que les critiques, les conservateurs et les collectionneurs ont à leur disposition aujourd'hui. L'ouvrage "le cube blanc " est devenu, à travers le monde entier, un titre d'expositions, un nom de galerie et un des espaces les plus communs d'art contemporain.

Space (Art) --- Installations (Art) --- Environment (Art) --- Espace (Art) --- Environnement (Art) --- Appropriation de l'espace --- Art contemporain --- Exposition --- Musée --- Muséographie --- Perception de l'art --- Perception de l'espace --- Rapport art-architecture --- Rapport du créateur à l'objet créé --- Rapport du spectateur à l'objet créé --- Théorie de l'art --- Muséologie