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Art --- anno 500-1499 --- Middeleeuwse kunst ; Vroege Middeleeuwen --- 7.033 --- Kunstgeschiedenis ; Middeleeuwen --- Art, Medieval --- Medieval art

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Carolingians --- Hercules (Roman mythology) --- Hercules (Roman mythology) in literature --- Carolingiens --- Hercule (Mythologie romaine) --- Hercule (Mythologie romaine) dans la littérature --- Art --- Theodulf, --- Théodulf, --- France --- Civilization --- Civilisation --- Chair of Saint Peter --- -Hercules (Roman mythology) in literature --- Chair of Peter --- Chair of St. Peter --- Saint Peter's Chair --- Chairs (Cathedra) --- Popes --- Carlovingians --- Carolinians --- Enthronement --- Theodulf Bishop of Orleans --- -Roman influences. --- -Carolingians --- Hercule (Mythologie romaine) dans la littérature --- Théodulf, --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- France (Provisional government, 1944-1946) --- Roman influences. --- Hercules --- Art. --- In literature. --- 프랑스 --- Falanxi --- Fa-lan-hsi --- 法蘭西 --- Frankrijk --- Frant︠s︡ --- Франц --- Frant︠s︡ Uls --- Франц Улс

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Through its material remains, Perspectives on Early Islamic Art in Jerusalem analyzes several overlooked aspects of the earliest decades of Islamic presence in Jerusalem, during the seventh century CE. Focusing on the Haram al-Sharif , also known as the Temple Mount, Lawrence Nees provides the first sustained study of the Dome of the Chain, a remarkable eleven-sided building standing beside the slightly later Dome of the Rock, and the first study of the meaning of the columns and column capitals with figures of eagles in the Dome of the Rock. He also provides a new interpretation of the earliest mosque in Jerusalem, the Haram as a whole, with the sacred Rock at its center.

Islamic architecture --- Islamic art and symbolism --- Dome of the Chain (Jerusalem) --- Qubbat al-Ṣakhrah (Mosque : Jerusalem) --- Temple Mount (Jerusalem) --- Jerusalem --- Buildings, structures, etc. --- Symbolisme islamique --- Qubbat al-Sakhrah (Mosque : Jerusalem) --- Temple, Colline du (Jérusalem) --- Temple, Colline du (Jérusalem) --- Architecture islamique --- Jérusalem --- Constructions --- Islamic symbolism --- Symbolism, Islamic --- Islamic art --- Islamic arts --- Symbolism --- Symbolism in art --- Arab architecture --- Architecture, Arab --- Architecture, Islamic --- Architecture, Moorish --- Architecture, Muslim --- Architecture, Saracenic --- Moorish architecture --- Muslim architecture --- Saracenic architecture --- Religious architecture --- Jerusalem. --- Dome of the Rock (Mosque : Jerusalem) --- Moschea di Omar (Jerusalem) --- Cupola della Roccia (Mosque : Jerusalem) --- Mosque of Omar (Jerusalem) --- Ṣakhrah al-Musharrafah (Jerusalem) --- כיפת הסלע (מסגד : ירושלים) --- قبة الصخرة (مسجد : القدس) --- قبة الصخره --- Har ha-bayit (Jerusalem) --- Ḥaram al-Sharīf (Jerusalem) --- Ḥaram esh-Sherîf (Jerusalem) --- Moriah, Mount (Jerusalem) --- Mount Moriah (Jerusalem)

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This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.

Illumination of books and manuscripts, Medieval.

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"This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'." --

Illumination of books and manuscripts, Medieval