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"James Leggott's timely book reminds us of the rich seam of film and television set in the North East of England, whilst also pointing to the unfair way it has often been overlooked by scholars. In lucid, accessible prose he unpicks the myths and stereotypes that have sometimes characterised these depictions and steers us towards the richer, complex stories that have been produced by those who know the region first-hand. This is a meticulously researched volume that balances breadth of coverage with detailed analysis of key case studies, providing telling insights throughout."-- Professor Robert Shail, Leeds Beckett University This book analyses the representation of North-East England in film and television. It is a response to the way a number of important British films and programmes-for example, Get Carter (1971), Whatever Happened to the Likely Lads (1973-74), Our Friends in the North (1996) and Billy Elliot (2000)-have used this particular setting to explore questions of class, identity and history. It argues for the significance and coherence of a North-East corpus of film and television through a series of case studies relating to specific eras or types of representation. These include regional writers working for television in the 1970s, the achievements of the workshop movement in the 1980s and works produced within the genres of documentary, crime drama, comedy, period drama and reality television. The book discusses how the communities and landscapes of the region have been used to explore processes of cultural change, and legacies of de-industrialisation. James Leggott is Associate Professor in Film and Television Studies at Northumbria University, UK. He is the author of books on contemporary British cinema, and the films of the Amber Collective. He has published on various aspects of British film and television including period drama, comedy and documentary.

Philosophy and psychology of culture --- Economics --- Ethnology. Cultural anthropology --- Environmental planning --- Film --- Social geography --- etnologie --- ruimtelijke ordening --- TV (televisie) --- cultuur --- film --- politiek --- Great Britain

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Art

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"Never before has period drama offered viewers such an assortment of complex male characters, from transported felons and syphilitic detectives to shell shocked soldiers and gangland criminals. Neo-Victorian Gothic fictions like Penny Dreadful represent masculinity at its darkest, Poldark and Outlander have refashioned the romantic hero and anti-heritage series like Peaky Blinders portray masculinity in crisis, at moments when the patriarchy was being bombarded by forces like World War I, the rise of first wave feminism and the breakdown of Empire. Scholars of film, media, literature and history explore the very different types of maleness offered by contemporary television and show how the intersection of class, race, history and masculinity in period dramas has come to hold such broad appeal to twenty-first-century audiences."--

History on television. --- Masculinity on television.

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Art