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sculpting --- antieke beeldhouwkunst --- Italiaanse school --- kopieën naar antieke kunst --- invloed van antieke kunst --- Italian Renaissance-Baroque styles

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Sculpture --- astrology --- Bologna, da, Giovanni

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bronzes [visual works] --- signing [writing] --- Renaissance --- sculptors --- casters [people] --- Venice

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Sculpture --- bronzes [visual works] --- Antico, Pier Giacomo Ilario Bonacolsi

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Giambologna (1529 - 1606) is regarded as the most important European sculptor between Michelangelo and Bernini. How did he achieve this status? This volume investigates this question and examines above all Giambologna's study of Michelangelo, his all - power ful role model, and how he successfully prevailed. The young Flemish artist Giambologna most probably embarked on his study trip to Rome in 1550. On his way home he visited Florence, decided to stay and became the star at the Medici court. They sent hi s sculptures to the princely courts of Europe, where they became sought - after gifts. Although we know a great deal about his success, we know little of his early years in Italy, because he first appeared on the scene as a sculptor from about 1560. The alab aster figures after Michelangelo's "Times of Day" in Dresden, hitherto largely ignored, seem to be early works by the master sculptor. An examination of these sculptures promises to shed fresh light on the development of a genius.

Sculpture --- sculpture [visual works] --- times of day --- High Renaissance --- Bologna, da, Giovanni --- Medici, de [Family] --- Michelangelo --- Italy --- Sculpture, Italian --- Sculpture italienne --- Giambologna, --- Michelangelo Buonarroti, --- Bologne, Jean de --- Michel-Ange --- Criticism and interpretation. --- Influence. --- Critique et interprétation. --- San Lorenzo (Church : Florence, Italy) --- Florence (Italie) --- Basilica di San Lorenzo --- Sagrestia nuova. --- Critique et interprétation. --- Buonarroti, Michelangelo