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When the mind turns more than one would wish towards questions of - as W. G. Sebald puts it - the 'natural history of destruction', comparative consideration by artists and interdisciplinary scholars is directed to the interstices between images, novel, essay, (auto)biography, memorial and travelogue. Artists have been among Sebald's most prolific interpreters - as they are among the more fearless and holistic researchers on questions concerning what it means never to be able to fix an identity, to tell a migrant's story, or to know where a historical trauma ends. Sebald has - as this book attests - also given artists and scholars a means to write with images, to embrace ambiguity, and to turn to today's migrants with empathy and responsibility; as well as to let academic research, creation and institutional engagement blend into or substantially inform one another in order to account for and enable such necessary work in the most diverse contexts.
Art and literature. --- Memory, Word and Image Studies, Artistic research, migration and borders, trauma and art, (post-) war and conflict, Museums and Exhibitions, Politics of Identity and Commemoration, Intervention and Resistance Narratives, Lit-erary art exhibitions, Holocaust remembrance. --- ART / History / Contemporary (1945-). --- Sebald, W. G. --- Criticism and interpretation. --- Sebald, W. G. (Winfried Georg),
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Art --- Literature --- Sebald, Winfred Georg
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'Goran Petercol - working monograph' is the title of the book the conception of which endeavours to follow the artistic concept of Petercol himself - which is deliberation on processuality. The monograph is not based on classic chronological structure but rather it focuses on the key issues within the artist's work : space and interspace ; the vertical aspect of events ; the influence that quantity has on light and other materials, as well as transformation, translocation and relationization of form. Through some 200 reproductions of Petercol's work, and his extensive interview with Ivana Sajko, critical texts writtten by Leonida Kovac and Gregor Podnar, this monograph seeks to present the complexities of the artistic work of Goran Petercol, undoubtedly one of the most noteworthy authors within the body of Croatian and indeed international contemporary art.
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Art --- Film --- art [discipline] --- video art --- Martinis, Dalibor --- anno 1900-1999 --- Croatia --- Yugoslavia
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