Listing 1 - 10 of 15 | << page >> |
Sort by
|
Choose an application
What can queer feminist writing strategies such as parody and irony do to outsmart the sexism of smart objects, environments and materials and open out the new dialecticism of structure and scale, critique and creativity? Drawing on science and technology studies and feminist theory, this book examines the gendering of current and future media technologies such as smart phones, Google glass, robot nurses, tablets and face recognition. Kember argues that there is a tendency to affirm and celebrate the existence of smart and often sexist objects, environments and materials in themselves; to elide writing and other forms of mediation; and to engage in disembodied knowledge practices. Disembodied knowledge practices tend towards a scientism that currently includes physics envy and are also masculinist. Where there is some degree of convergence between masculinist and feminist thinking about objects, environments and materials, there is also divergence, conflict and the possible opening towards a politics of imedia. Presenting a lively manifesto for refiguring imedia, this book forms an often neglected gender critique of developments in smart technologies and will be essential reading for scholars in Communication Studies, Cultural and Media, Science and Technology and Feminism.
Technology --- Technology and women --- Smart materials --- Social aspects --- Sex differences --- Technology and women. --- Smart materials. --- Adaptive materials --- Intelligent materials --- Sense-able materials --- Materials --- Applied science --- Arts, Useful --- Science, Applied --- Useful arts --- Science --- Industrial arts --- Material culture --- Women and technology --- Women --- Social aspects. --- Sex differences. --- Social Change --- Sociology & Social History --- Social Sciences --- Information technology --- IT (Information technology) --- Culture --- Communication. --- Feminist theory. --- Sociology. --- Religion and culture. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- Regional and Cultural Studies. --- Media Studies. --- Gender Studies. --- Sociology of Culture. --- Sociology, general. --- Feminism. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Culture and religion --- Social theory --- Social sciences --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Communication, Primitive --- Mass communication --- Sociology --- Cultural studies --- Study and teaching. --- Psychological aspects --- Philosophy --- Telematics --- Information superhighway --- Knowledge management --- Culture-Study and teaching. --- Culture. --- Gender. --- Technology—Sociological aspects. --- Culture and Gender. --- Science and Technology Studies. --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Technology - Social aspects --- Technology - Sex differences
Choose an application
Life on other planets. --- Life --- Origin.
Choose an application
Images, Photographic. --- Imaging systems. --- Virtual reality.
Choose an application
Choose an application
What can queer feminist writing strategies such as parody and irony do to outsmart the sexism of smart objects, environments and materials and open out the new dialecticism of structure and scale, critique and creativity? Drawing on science and technology studies and feminist theory, this book examines the gendering of current and future media technologies such as smart phones, Google glass, robot nurses, tablets and face recognition. Kember argues that there is a tendency to affirm and celebrate the existence of smart and often sexist objects, environments and materials in themselves; to elide writing and other forms of mediation; and to engage in disembodied knowledge practices. Disembodied knowledge practices tend towards a scientism that currently includes physics envy and are also masculinist. Where there is some degree of convergence between masculinist and feminist thinking about objects, environments and materials, there is also divergence, conflict and the possible opening towards a politics of imedia. Presenting a lively manifesto for refiguring imedia, this book forms an often neglected gender critique of developments in smart technologies and will be essential reading for scholars in Communication Studies, Cultural and Media, Science and Technology and Feminism.
Philosophical anthropology --- Affective and dynamic functions --- Ethics of family. Ethics of sexuality --- Religious studies --- Sociology of culture --- Sociology of the family. Sociology of sexuality --- Sociology --- Didactics of the arts --- Ethnology. Cultural anthropology --- Mass communications --- Psycholinguistics --- psychologie --- sociologie --- tablets (informatica) --- communicatie --- cultuur --- feminisme --- culturele antropologie --- seksualiteit --- gender --- psycholinguïstiek --- creativiteit
Choose an application
Choose an application
Mass media and technology --- Digital media --- Social media. --- Médias et technologie --- Médias numériques --- Médias sociaux --- Social aspects --- Social aspects. --- Aspect social --- Médias et technologie --- Médias numériques --- Médias sociaux
Choose an application
A call for a "rigorous cross-disciplinary interventions and inventions that will be equally at home with critical theory and media practice and will be prepared and able to make a difference--academically, institutionally, politically, ethically, and aesthetically" (p. 201).
Mass media and technology --- Digital media --- Social media. --- Social aspects. --- User-generated media --- Technology and mass media --- Communication --- User-generated content --- Technology --- DIGITAL HUMANITIES & NEW MEDIA/New Media Theory --- SOCIAL SCIENCES/Media Studies --- CULTURAL STUDIES/Critical Theory
Choose an application
Whose Book is it Anyway? is a provocative collection of essays that opens out the copyright debate to questions of open access, ethics, and creativity. It includes views – such as artist’s perspectives, writer’s perspectives, feminist, and international perspectives – that are too often marginalized or elided altogether.
Art treatments & subjects --- Photography & photographs --- Social issues & processes --- Copyright. --- Authorship. --- Publishers and publishing. --- Copyright, International. --- Open access publishing. --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Copyright --- Literary property --- Property, Literary --- Intangible property --- Intellectual property --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Open access to research --- Research, Open access to --- Electronic publishing --- International copyright --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Law and legislation --- Publishing --- collection of essays --- copyright --- copyright debate --- open access --- ethics --- creativity --- artist’s perspectives --- writer’s perspectives --- feminist perspectives --- international perspectives --- future of publishing --- intellectual property
Choose an application
Philosophy and psychology of culture --- Sociology of the family. Sociology of sexuality --- Higher education --- Household work --- Technology --- Theory --- Book --- Cyber-feminism
Listing 1 - 10 of 15 | << page >> |
Sort by
|