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L'appartenance de La Recherche à l'autofiction est contestable - sa notoriété comme fondatrice du genre ne l'est pas. Nombreux sont les auteurs qui érigent Marcel Proust en maître d'écriture, en modèle littéraire, voire en Dieu tutélaire de ce phénomène littéraire controversé. La présente étude analyse la réception de Proust chez trois représentants éminents du genre autofictionnel en France, en Espagne et en Italie. Les échos proustiens se retrouvent dans l'autofiction postmoderne de Serge Doubrovsky qui présente une appropriation ambivalente du discours sur la mémoire, l'identité et la mort, dans la réécriture fantastique de Combray et du Temps retrouvé de Carmen Martín Gaite, et jusque dans le remaniement ironique du personnage d'Albertine et de l'épiphanie proustienne dans l'autofiction hyperréaliste de Walter Siti.

Autobiography in literature. --- Égotisme. --- Proust, Marcel, --- Proust, Marcel, --- Proust, Marcel, --- Proust, Marcel, --- Doubrovsky, Serge --- Martín Gaite, Carmen --- Siti, Walter, --- Proust, Marcel --- Proust, Marcel --- Proust, Marcel --- Doubrovsky, Serge --- Martín Gaite, Carmen --- Siti, Walter --- Appreciation --- Appreciation --- Appreciation --- Criticism and interpretation. --- Criticism and interpretation. --- Criticism and interpretation. --- Appréciation --- Appréciation --- Appréciation --- Critique et interprétation --- Critique et interprétation. --- Critique et interprétation.

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The reception history of the term autofiction, coined by Serge Doubrovsky in 1977 and strongly polarising since then, shows that autofictional writing has been used by numerous authors in the past decades as a possibility to give explosive insights into their lives on the one hand, but to refer to an indeterminable ""fictional"" part of their work on the other. The underlying interferences between fictional and factual narrative strategies seem to predestine autofiction for the representation and provocation of scandal. This volume brings together contributions that illuminate the relationship between autofiction and scandal from epistemological, literary-historical and reception-aesthetic perspectives and explore ethical questions of the demarcation between public and private space.

Prose: non-fiction --- narratology; literary scandal; literary provocation; intertextuality; aesthetics of scandal; sociobiography; reception authorities; writer's stage design; close reading; distant reading; autobiography