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Painting --- trade [function] --- History of Antwerp --- art market --- Iconography --- markets [events] --- Vranckx, Sebastiaan --- Snyders, Frans --- Beuckelaer, Joachim --- Aertsen, Pieter --- Bruegel, Jan [Elder] --- Mostaert, Gillis [Elder] --- anno 1600-1699 --- anno 1500-1599 --- Antwerp --- markten --- economie --- handel --- 16de eeuw --- 17de eeuw --- Antwerpen --- 7.075 --- 75 <493 ANTWERPEN> --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Schilderkunst--België--ANTWERPEN --- Art and society --- Painting, Modern --- Values --- History --- Marketing. --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- 75 <493 ANTWERPEN> Schilderkunst--België--ANTWERPEN --- Marketing --- Axiology --- Worth --- Aesthetics --- Knowledge, Theory of --- Metaphysics --- Psychology --- Ethics --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Belgium --- Antwerp (Belgium) --- 16th century --- 17th century --- markten. --- economie. --- handel. --- Aertsen, Pieter. --- 16de eeuw. --- 17de eeuw. --- Antwerpen. --- trade [general function] --- marktstukken --- Antwerpse school
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In sixteenth-century Northern Europe, during a time of increasing religious and political conflict, Flemish painter Pieter Bruegel explored how people perceived human nature. Bruegel turned his critical eye and peerless paintbrush to mankind's labors and pleasures, its foibles and rituals of daily life, portraying landscapes, peasant life, and biblical scenes in startling detail. Much like the great humanist scholar Erasmus of Rotterdam, Bruegel questioned how well we really know ourselves and also how we know, or visually read, others. His work often represented mankind's ignorance and insignificance, emphasizing the futility of ambition and the absurdity of pride. This superbly illustrated volume examines how Bruegel's art and ideas enabled people to ponder what it meant to be human. Published to coincide with the four-hundred-fiftieth anniversary of Bruegel's death, it will appeal to all those interested in art and philosophy, the Renaissance, and Flemish painting.
Philosophical anthropology --- Folklore --- Bruegel, Pieter [Elder] --- Painting --- humanism --- Painters --- Painting, Flemish --- Painting, Renaissance --- Humanity in art --- Bruegel, Pieter, --- Themes, motives. --- Painting, Flemish. --- Painting, Renaissance. --- Humanity in art. --- Painters. --- 21.02 history of painting. --- 1500-1599. --- Belgium. --- Caractéristiques humaines --- Homme --- Dans l'art --- Bruegel, Pieter --- Thèmes, motifs. --- 75.07 --- Schilderkunst ; Zuidelijke Nederlanden ; 16de eeuw ; Pieter Bruegel (de Oude) --- Schilderkunst ; schilders A-Z --- 75 BRUEGEL, PIETER --- 75 BRUEGEL, PIETER Schilderkunst--BRUEGEL, PIETER --- Schilderkunst--BRUEGEL, PIETER --- Caractéristiques humaines --- Thèmes, motifs. --- schilderkunst, Nederlanden
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Painting --- samenwerking van meerdere kunstenaars --- anno 1500-1599 --- anno 1600-1699 --- Antwerp
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economics --- art market --- digital art history --- Netherlandish
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