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Oehlen, Albert

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Instead of the minimal, repeated letters that characterize his best-known work, Guyton's new paintings feature a diverse range of imagery, all digitally captured. Some of these works show recognizable forms--the newspaper homepage, the view from Guyton's Bowery studio--and some dissolve into abstraction as their source material is subject to extreme enlargement. Taking snapshots and screen-captures and printing them on his huge printer, Guyton has created works that reflect, in their content and their making, the rapid expansion of the digital code into all areas of life. Published to accompany the first exhibition of these new works at the Museum Brandhorst, this volume also features texts by Johanna Burton and Achim Hochdörfer.

Conceptual art --- Installations (Art) --- Painting --- kunst --- eenentwintigste eeuw --- 7.071 GUYTON --- 75.071 GUYTON --- schilderkunst --- conceptuele kunst --- concept art --- Verenigde Staten --- Guyton Wade --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Installation art --- Art, Modern --- Environment (Art) --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Performance art --- Earthworks (Art) --- Sky art --- Digital techniques --- Guyton, Wade, --- Exhibitions --- conceptual artists --- installatiekunst --- Guyton, Wade --- Art numérique

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Art --- installations [visual works] --- video art --- sound art --- Nauman, Bruce

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Examining the resurgent interest in painting and the proliferation of new digital media in recent years, this generously illustrated book delineates painting's complex relationship with information technology.

Painting, Modern --- Art and technology --- Art and technology. --- Painting, Modern. --- Målarkonst. --- 1900-2099.

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"This comprehensive monograph explores the conceptual complexity and diversity of Claes Oldenburg's early work to reveal this influential artist's extraordinary inventiveness. Accompanying an exhibition of Oldenburg's seminal early work, this publication examines the breadth of his artistic career from the late 1950s to 1970. It features works including the landmark installations The Street and The Store and their accompanying performances; the highly influential spectacular sculptures of everyday objects as well as drawings and preparatory collages for public projects from the 1960s. The book traces the development of Oldenburg's practice as it follows his work up to the Mouse Museum. Also included in the publication is an extensive chronology, alongside notes as well as a variety of installation views that showcase the careful consideration given to modes of presentation. In addition to imagery of his Pop icons, this richly illustrated book contains an extensive selection of drawings, collages, and magazine and newspaper clippings as well as a wealth of previously unpublished notebook pages, preparatory studies, and photographs taken by the artist. This volume probes diverse aspects of his work to offer fresh perspectives on Oldenburg's artistic development and unprecedented insights into the conceptual process of his artistic explorations"--

Oldenburg, Claes, --- Exhibitions. --- 7.07 --- 7.038 --- udc --- 73.07 --- Beeldende kunst ; 20ste eeuw ; 1960-1970 ; Cl. Oldenburg --- Soft sculptures --- Oldenburg, Claes Thure °1929 (°Stockholm, Zweden) --- Pop-Art --- Van Bruggen, Koosje --- Performances --- Environmental art --- Beelden buiten --- Beeldhouwkunst ; kolossale beelden van dagelijkse gebruiksvoorwerpen --- Kunst in de stad --- Urban Art --- Street Art ; installaties --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Beeldhouwkunst ; beeldhouwers A - Z --- Oldenberg, Ḳlaʼes, --- Exhibitions --- Oldenburg, Claes --- Oldenburg, Claes, - 1929- - Exhibitions --- Oldenburg, Claes, - 1929 --- -Oldenburg, Claes, --- -7.038 --- -Oldenburg, Claes, - 1929