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Computer. Automation --- Art --- computer art [visual works] --- digital art [visual works] --- computers --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979
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The first survey of the Fluxus cofounder’s prolific avant-garde output, from eight-foot-tall books to make-a-salad performances. The American artist Alison Knowles’ (born 1933) groundbreaking experiments—from painting and printmaking to sculpture and installation, sound works, poetry and artist’s books—have influenced art and artists for more than 50 years but remain relatively unknown among mainstream audiences. The first comprehensive volume on the artist, By Alison Knowles: A Retrospective presents more than 200 objects that span the entire breadth of her career, from her intermedia works of the 1960s to forms of participatory and relational art in the 2000s.The accompanying catalog features contributions by international Fluxus curators, historians and scholars, including lead essays by organizer Karen Moss, Hannah B. Higgins and Nicole Woods, and short contributions by Lucia Fabio, Lauren Fulton, Maud Jacquin and Sébastien Pluot. It also includes reprints of key articles by Benjamin Buchloh, Julia Robinson and Kristine Stiles, as well as a conversation between Alison Knowles and poet George Quasha. Richly illustrated with more than 250 images, the full-color catalog, designed by Kimberly Varella, includes a softcover lay-flat binding, special colored papers for each section, die-cut section dividers and a chronology.
Artistiek onderzoek ; performances ; toneel ; muziek --- California Institute of the Arts ; CalArts --- Cage, John 1912-1992 (°Los Angeles, Californië, Verenigde Staten) --- Fluxus ; composities ; concerten --- Beeldende kunst ; 2de helft 20ste eeuw ; Fluxus --- Alison Knowles (°1933) --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- Art --- Knowles, Alison --- installations [visual works] --- performance art --- artists' books [books] --- sound art --- paper [fiber product] --- Fluxus
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Art styles --- Iconography --- Art --- History --- multimedia works --- happenings --- art history --- sound [acoustics] --- performance art --- electronics [physics] --- kunst en poëzie --- Fluxus --- Spoerri, Daniel --- Chiari, Giuseppe --- Paik, Nam June --- Knowles, Alison --- Ono, Yoko --- Watts, Robert --- Serge III --- Klintberg, af, Bengt --- Alvargonzález, Chema --- Ay-O --- Bauermeister, Mary --- Barth, Thom --- Corner, Philip --- Dossi, Ugo --- Dupuy, Jean --- Flynt, Henry --- Hashimoto, Sohei --- Heske, Marianna --- Hutchins, Alice --- Iges, José --- Ikam, Cathérine --- Jerez, Concha --- Kortelainen, Janna --- Leirner, Jac --- MacLow, Jackson --- Miller, Larry --- Beuys, Joseph --- Niedecker, Wolfgang --- Nielsen, Tina Maria --- Ox, Jack --- Sacharow-Ross, Igor --- Schmit, Tomas --- Schoening, Fanny --- Shiomi, Mieko --- Tardos, Anne --- Tsangaris, Manos --- Wada, Yoshimasa --- Rühm, Gerhard --- Kubisch, Christina --- Cage, John --- Vautier, Ben --- Andersen, Eric --- Brecht, George --- Christiansen, Henning --- Filliou, Robert --- Friedman, Ken --- Hansen, Al --- Hendricks, Geoffrey --- Higgins, Dick --- Jones, Joe --- Kiessling, Dieter --- Knížák, Milan --- Køpcke, Arthur --- Maciunas, Georg --- Moorman, Charlotte --- Patterson, Ben --- Saito, Takako --- Tison, Nathalie --- Vostell, Wolf --- Williams, Emmett --- Ridder, de, Willem --- Fainaru, Belu-Simion --- anno 1950-1959 --- anno 1960-1969 --- anno 1970-1979 --- anno 1980-1989 --- anno 1900-1999 --- anno 2000-2099
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