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Feminism and motion pictures --- Féminisme et cinéma --- -Silent films --- -#SBIB:309H401 --- Moving pictures, Silent --- Silent motion pictures --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Motion pictures and feminism --- -791.43 --- -Film --- Féminisme et cinéma --- 791.43 --- 316.775.4 --- Motion picture audiences --- #SBIB:309H1320 --- #SBIB:309H040 --- 316.775.4 Publieksgroepen in het communicatieproces: toehoorders, toeschouwers, lezers --- Publieksgroepen in het communicatieproces: toehoorders, toeschouwers, lezers --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- History --- History and criticism --- Publieksgroepen in de verschillende media (pers, omroep, film, boekenindustrie, ...): gebruikersgroepen, gebruikersonderzoek --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Populaire cultuur algemeen --- United States --- U.S.A. --- Jungtinės Amerikos valstybės --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Zlucheni Derz︠h︡avy --- USA --- US --- Arhab --- Ar. ha-B. --- Artsot ha-Berit --- ولايات المتحدة الامريكية --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- ABSh --- Amerika Birlăshmish Shtatlary --- ABŞ --- Amerika Birlăşmi Ştatları --- Forente stater --- Spojené staty americké --- Severo-Amerikanskie Shtaty --- Sjedinjene Američke Države --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Amerikai Egyesült Államok --- Yhdysvallat --- Verenigde Staten --- Egyesült Államok --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Estados Unidos de América --- United States of America --- Fareyniḳṭe Shṭaṭn --- Artzois Ha'bris --- Estados Unidos da América do Norte --- SShA --- Soedinennye Shtaty Ameriki --- VSA --- États-Unis d'Amérique --- Vereinigte Staaten von Amerika --- Stati Uniti d'America --- Estados Unidos --- EE.UU. --- Stany Zjednoczone --- ĒPA --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- SAD --- Saharat ʻAmērikā --- Hēnomenai Politeiai Amerikēs --- ZSA --- Mei-kuo --- Meiguo --- Mei guo --- ZDA --- Združene države Amerike --- U.S. --- America (Republic) --- Amirika Carékat --- Verenigde State van Amerika --- VS --- ولايات المتحدة --- Wilāyāt al-Muttaḥidah --- ولايات المتّحدة الأمريكيّة --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Estatos Unitos --- Estatos Unitos d'America --- Ètats-Unis d'Amèrica --- Estaos Xuníos d'América --- Estaos Xuníos --- Tetã peteĩ reko Amérikagua --- Istadus Unidus --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Bí-kok --- Amerika Qushma Shtattary --- AQSh --- Злучаныя Штаты Амерыкі --- Zluchanyi︠a︡ Shtaty Ameryki --- Yunaeted Stet blong Amerika --- Yunaeted Stet --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Stadoù-Unanet Amerika --- Sŭedineni amerikanski shtati --- САЩ --- SASht --- Съединените щати --- Sŭedinenite shtati --- Америка (Republic) --- Amerika (Republic) --- Estats Units d'Amèrica --- Америкӑри Пӗрлешӳллӗ Штатсем --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Stati Uniti --- SUA (Stati Uniti d'America) --- Unol Daleithiau America --- Unol Daleithiau --- Amerikas Forenede Stater --- Vereinigte Staaten --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Zjadnośone staty Ameriki --- Ameerika Ühendriigid --- Ηνωμένες Πολιτείες της Αμερικής --- Hēnōmenes Politeies tēs Amerikēs --- Η.Π.Α. --- Ē.P.A. --- Usono --- Unuiĝintaj Ŝtatoj de Ameriko --- Американь Вейтьсэндявкс Штаттнэ --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Ameriketako Estatu Batuak --- Feriene Steaten --- Feriene Steaten fan Amearika --- FS --- Stâts Unîts di Americhe --- Stâts Unîts --- Stáit Aontaithe Mheiriceá --- Steatyn Unnaneysit America --- Steatyn Unnaneysit --- S.U.A. --- Na Stàitean Aonaichte --- NSA --- Mî-koet --- 미국 --- Miguk --- Amerikayi Miatsʻyal Nahangner --- Miatsʻyal Nahangner --- Social life and customs --- -Feminism and motion pictures --- Silent films --- #SBIB:309H401 --- Motion pictures --- Performing arts --- Audiences --- Film --- Films muets --- Cinéma --- Histoire et critique --- Publics --- Histoire --- CINEMA --- CINEMA MUET --- FEMINISME ET LE CINEMA --- SPECTATEUR ET LE CINEMA --- ETATS-UNIS
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Offers a perspective on American film by tying the growth of spectatorship to the historical transformation of the public sphere. Focusing on silent films, this text examines how the spectator concept evolved, integrating ethnically, socially and sexually differentiated audiences.
Silent films --- Motion picture audiences --- Feminism and motion pictures. --- Motion pictures and feminism --- Motion pictures --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- Performing arts --- History and criticism. --- History. --- Audiences --- United States --- Social life and customs
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Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno-affiliated through friendship, professional ties, and argument-developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960's. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
Motion pictures. --- Kracauer, Siegfried, --- Benjamin, Walter, --- Adorno, Theodor W., --- Criticism and interpretation. --- 20th century cinema. --- 20th century cultural critics. --- 20th century photography. --- american film history. --- books for film enthusiasts. --- books for movie critics. --- cinema and photography. --- cinema and technology. --- cinema studies. --- critical theory. --- digital technology and film. --- european philosophers. --- evolution of cinema. --- famous film critics. --- film criticism. --- film history. --- film theorists. --- history of digital technology. --- history of movies. --- motion picture history. --- movie and video history. --- technology and film. --- technology.
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Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno-affiliated through friendship, professional ties, and argument-developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impressive archive of known and, in the case of Kracauer, less known materials and reveals surprising perspectives on canonic texts, including Benjamin's artwork essay. Her lucid analysis extrapolates from these writings the contours of a theory of cinema and experience that speaks to questions being posed anew as moving image culture evolves in response to digital technology.
Film --- Benjamin, Walter --- Adorno, Theodor W. --- Kracauer, Siegfried --- Kracauer, Siegfried, --- Benjamin, Walter, --- Adorno, Theodor W., --- Motion pictures. --- Criticism and interpretation. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Ginster, --- Kracauer, S. --- Krakauėr, Z. --- Krakauėr, Zigfrid --- Benjamin, W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Holz, Detlef, --- Banyaming, --- Benʼyamin, Varutā, --- Peñcamin̲, Vālṭṭar, --- Binyamin, Ṿalṭer, --- בנימין, ולטר --- בנימין, ולטר, --- ולטר, בנימין, --- Penyamin, Palt'ŏ, --- 벤야민 발터, --- Kracauer, Siegfried, - 1889-1966 --- Benjamin, Walter, - 1892-1940 --- Adorno, Theodor W., - 1903-1969 --- Kracauer, Siegfried (1889-1966) --- Benjamin, Walter (1892-1940) --- Adorno, Theodor Wiesengrund (1903-1969) --- Cinéma --- Philosophie et cinéma --- Et le cinéma --- Histoire et critique --- Cinéma --- Philosophie et cinéma --- Et le cinéma
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Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bela Balazs, Rudolf Arnheim, and AndreBazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of 'Theory of Film' for contemporary film theory.
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Philosophy and psychology of culture --- Sociology of culture
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From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the “death of cinema,” this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the “uncinematic,” the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television.
Motion pictures --- History --- Philosophy. --- 798.3 --- nieuwe media --- 791.41 --- bioscopen --- computers --- cultuurfilosofie --- experimentele film --- film --- high definition --- IMAX --- installaties --- internet --- Mann Michael --- Ophuls Max --- schermen --- screens --- tabletcomputers --- televisie --- theater --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy --- film, esthetiek en kritiek --- History and criticism
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