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Shirli Gilbert has produced the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities in Nazi internment centres, and is also concerned with exploring the ways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. - ;In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide sco

Holocaust, Jewish (1939-1945). --- Jews --- Music --- National socialism and music. --- History and criticism. --- Catastrophe [Jewish ] (1939-1945) --- Choa --- Destruction des Juifs (1941-1945) --- Destruction of the Jews (1939-1945) --- Endlösung der Judenfrage --- Extermination [Jewish ] (1939-1945) --- Extermination des Juifs (1941-1945) --- Guerre mondiale (1939-1945) -- Shoah --- Génocide des Juifs (1941-1945) --- Génocide juif (1941-1945) --- Holocaust [Jewish ] (1939-1945) --- Holocaust [Joodse ] (1939-1945) --- Holocaust [Nazi ] --- Holocauste (1941-1945) --- Holocauste juif (1939-1945) --- Hurban (1939-1945) --- Hurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews -- Nazi persecution --- Juifs -- Extermination (1941-1945) --- Juifs -- Génocide (1941-1945) --- Juifs -- Holocauste (1941-1945) --- Juifs -- Rafles (1941-1945) --- Juifs -- Shoah (1941-1945) --- Nationaal-socialisme en muziek --- National socialism and music --- National-socialisme et musique --- Nazi Holocaust --- Nazi persecution of Jews --- Question juive [Solution finale de la ] --- Rafles de juifs (1941-1945) --- Sho'ah (1939-1945) --- Shoah --- Solution finale de la question juive --- History of Europe --- anno 1940-1949 --- Holocaust, Jewish (1939-1945) --- Music and national socialism --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Hebrews --- Israelites --- Jewish people --- Jewry --- Judaic people --- Judaists --- Ethnology --- Religious adherents --- Semites --- Judaism --- Catastrophe, Jewish (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Shoʾah (1939-1945) --- Genocide --- World War, 1939-1945 --- Kindertransports (Rescue operations) --- History and criticism --- Nazi persecution --- Persecutions --- Atrocities --- Jewish resistance --- Poland --- 20th century --- Germany --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945)

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In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account in English of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring the ways in which music-particularly the many songs that were preserved-contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism. Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.

78.28.1 --- Fascisme. --- Musique et histoire. --- Camps de concentration

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