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Compelling and jargon-free, The Elements of Sculpture discovers and isolates the attributes - from the most physical to the most ephemeral - that make up an essential three-dimensional visual language; the very elements that form the tools sculptors use to create their art: Material, Place, Surface, Edge, Texture, Colour, Scale, Mass, Centre of Gravity, Volume, Space, Movement, Light and Memory. By teaching us how to look at and experience sculpture in the same way that sculptors think about sculpture, Herbert George provides us with the tools for understanding and appreciating the three-dimensional object, and demonstrates how we can begin to communicate using the language of sculpture.

sculpting --- color [perceived attribute] --- light [energy] --- Sculpture --- motion --- shape [form attribute] --- space [composition concept] --- materials [matter] --- 73.01 --- 73.049 --- Beeldhouwkunst ; kunstbeschouwing ; analyse --- Trefwoord --- Appreciation. --- Beeldhouwkunst ; theorie, filosofie, esthetica --- Beeldhouwkunst ; iconografie ; verschillende onderwerpen --- materials [substances] --- Appreciation

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523.4 --- #WSTE:STER --- Planets and their satellites. Planetology --- Planets --- Internal structure. --- 523.4 Planets and their satellites. Planetology --- Internal structure

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MET Methods & Techniques --- methods & techniques --- microphotography --- microscopy

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The 18th (Eastern) Division was formed in mid-September 1914, part of Kitchener's Second New Army. It was lucky in its first GOC, Ivor Maxse, who had been brought home from commanding the 1st (Guards) Brigade, an officer well known for his ability in training skills and for demanding the highest standards. He was to be their GOC until January 1917, when he was replaced by another highly capable commander, Richard Philip Lee, who remained in command for the rest of the war. With the advantage...

World War, 1914-1918 --- Regimental histories --- Campaigns

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