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Elliott Erwitt --- kunst --- musea --- tentoonstellingen --- Erwitt Elliott --- fotografie --- museologie --- 77.071 ERWITT --- 069 ERWI --- Museums --- Photography, Artistic --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Public institutions --- Cabinets of curiosities --- Aesthetics --- Erwitt, Elliott. --- Ervitz, Elio Romano --- Erwitt, Elliott, --- Solidor, André S. --- アーウィットエリオット --- Erwitt, Elliott --- Photographie artistique --- Musees --- Erwitt, elliot --- Ouvrages illustres

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Photography, Artistic --- Portrait photography --- 77.071 ERWITT --- Elliott Erwitt --- Erwitt Elliott --- fotografie --- twintigste eeuw --- Verenigde Staten --- Photography --- Portraiture --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Portraits --- Aesthetics --- Erwitt, Elliott. --- Ervitz, Elio Romano --- Erwitt, Elliott, --- Solidor, André S. --- アーウィットエリオット --- photography [process] --- Erwitt, Elliott --- 77 --- Art --- Fotografie --- 77 Fotografie

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"In Museum Watching, Erwitt presents his visual observations on the museum together for the first time in book form, including photographs from the late 1950's through 1999. In this affectionate, wry and personal album, illuminated by his own text, Erwitt entertains us in his conversation with art, making visual puns, tweaking a few noses, and occasionally offering more serious comment. As museums grow steadily in scale, popularity and cultural importance, Erwitt's gentle humour provides a perfect antidote."--Jacket.

Museums --- Museums. --- Musées --- Photographie artistique. --- Photographie d'oeuvres d'art. --- Photography, Artistic. --- Photography, Artistic. --- art photography. --- Erwitt, Elliott, --- Erwitt, Elliott. --- Erwitt, Elliott.

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Reporter de l'agence Magnum, Américain d'adoption, Elliott Erwitt (né en 1928) est un photographe d'humour "au regard pas toujours optimiste mais toujours élégant". La coïncidence momentané, la rencontre fortuite d'objets et d'événements sont pour lui des clins d'oeil qui accusent le ridicule ou la cocasserie. Le chien est sa cible favorite, amicale métaphore des dérisions humaines. Erwitt conte en images des boutades qui ont l'effet d'aphorismes percutants. Quatrième de couverture (18/10/10)

Photographie --- Erwitt, Elliott --- agence Magnum --- histoire de la photographie --- 20e siècle

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Photography, Artistic --- Erwitt, Elliott,