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Sociology of the family. Sociology of sexuality --- Film --- Depth psychology --- Femmes fatales --- Sexualité --- Féminisme et cinéma --- Psychanalyse et cinéma --- Femmes fatales in motion pictures --- Sex in motion pictures --- Feminism and motion pictures --- Au cinéma --- 791.43 --- #SBIB:309H526 --- #SBIB:309H524 --- Sex in moving-pictures --- Motion pictures --- Erotic films --- Pornographic films --- Motion pictures and feminism --- Filmkunst. Films. Cinema --- Psychologie van de audiovisuele boodschap --- Audiovisuele communicatie: semiotiek --- Feminism and motion pictures. --- Femmes fatales in motion pictures. --- Sex in motion pictures. --- 791.43 Filmkunst. Films. Cinema --- Féminisme et cinéma. --- Psychanalyse et cinéma. --- Au cinéma. --- CDL --- 791.41 --- Sexualité --- Féminisme et cinéma. --- Psychanalyse et cinéma. --- Au cinéma.
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Hailed as the permanent record of fleeting moments, the cinema emerged at the turn of the nineteenth century as an unprecedented means of capturing time--and this at a moment when disciplines from physics to philosophy, and historical trends from industrialization to the expansion of capitalism, were transforming the very idea of time. In a work that itself captures and reconfigures the passing moments of art, history, and philosophy, Mary Ann Doane shows how the cinema, representing the singular instant of chance and ephemerality in the face of the increasing rationalization and standardization of the day, participated in the structuring of time and contingency in capitalist modernity. At this book's heart is the cinema's essential paradox: temporal continuity conveyed through "stopped time," the rapid succession of still frames or frozen images. Doane explores the role of this paradox, and of notions of the temporal indeterminacy and instability of an image, in shaping not just cinematic time but also modern ideas about continuity and discontinuity, archivability, contingency and determinism, and temporal irreversibility. A compelling meditation on the status of cinematic knowledge, her book is also an inquiry into the very heart and soul of modernity [Publisher description].
Espace et temps --- Time in motion pictures. --- Au cinéma --- 82:791.43 --- Mary Ann Doane --- film --- filmtheorie --- twintigste eeuw --- negentiende eeuw --- tijd --- archiveren --- archivering --- 791.41 --- Literatuur en film --- 82:791.43 Literatuur en film --- Film --- Time in motion pictures --- Motion pictures --- Au cinéma. --- Philosophy in motion pictures
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791.43.04-055.2 --- Motion picture audiences --- -Motion pictures --- -Motion pictures for women --- -#SBIB:309H1326 --- #SBIB:309H524 --- Moving-pictures for women --- Women --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film audiences --- Filmgoers --- Moviegoers --- Moving-picture audiences --- De vrouw in de film --- Psychological aspects --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: semiotiek --- History and criticism --- Audiences --- 791.43.04-055.2 De vrouw in de film --- Motion pictures for women --- Motion pictures --- #SBIB:309H1326
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Feminism and motion pictures --- Feminist films --- 791.41 --- CDL --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Motion pictures and feminism --- Film
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"Leading film and media scholars discuss multiple "ends" in the history of cinema"--
Motion pictures --- Philosophy --- Historiography
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