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Soit dans les tableaux de Vermeer, comme l'Art de la peinture, la Vue de Delft ou la Jeune fille avec la perle, soit dans les Soledades de Góngora, on représente, dans l'intensité d'une vision qui est à la fois et de façon inextricable, perception sensible et intelligence, raison et imagination, la dignité des choses en elles-mêmes. Pour appréhender cette intensité, il est toutefois nécessaire de faire un tour ample, qui, depuis l'étude des notions fondamentales de la pensée de Spinoza (fini, infini, temps et éternité, unité et multiplicité, corps et esprit, ordre, perfection, beauté) arrive jusqu' à une interprétation de la science intuitive, c'est-à-dire de cette modalité particulière de l'expérience qui est à la fois connaissance, joie, puissance de l'imagination.
Aesthetics, Modern --- Intuition --- Art --- Art and literature --- Esthétique --- Art et littérature --- Philosophy --- Philosophie --- Vermeer, Johannes, --- Góngora y Argote, Luis de, --- Spinoza, Benedictus de, --- Esthétique --- Art et littérature --- Góngora y Argote, Luis de, --- Spinoza, Benedictus de, - 1632-1677.
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Virtual reality --- Aesthetics. --- Philosophy. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Computer simulation --- Reality --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics
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Aesthetics, Modern --- Intuition. --- Vermeer, Johannes, --- Góngora y Argote, Luis de, --- Spinoza, Benedictus de,
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Ontology --- Ontologie --- Spinoza, Benedictus de, --- Contributions in ontology.
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Arguing that the virtual body is something new—namely, an entity that from an ontological perspective has only recently entered the world—Roberto Diodato considers the implications of this kind of body for aesthetics. Virtual bodies insert themselves into the space opened up by the famous distinction in Aristotle's Physics between natural and artificial beings—they are both. They are beings that are simultaneously events; they are images that are at once internal and external; they are ontological hybrids that exist only in the interaction between logical-computational text and human bodies endowed with technological prostheses. Pursuing this line of thought, Diodato reconfigures classic aesthetic concepts such as mimesis, representation, the relation between illusion and reality, the nature of images and imagination, and the theory of sensory knowledge.
Virtual reality in art. --- Art and technology. --- Virtual reality --- Environments, Virtual --- Virtual environments --- Virtual worlds --- Computer simulation --- Reality --- Technology and art --- Technology --- Philosophy.
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