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"The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933 brought together artists, architects, and designers in an extradinary conversation about the nature of modern art. Aiming to rethink the very form of modern life, the Bauhaus became the site for a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Published to accompany a major exhibition on the Bauhaus at The Museum of Modern Art -- the Museum's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938 -- Bauhaus 1919-1933: Workshops for Modernity offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Drawing on the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, and the Klassik Stiftung Weimar), with which the Museum collaborated on the exhibition, Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, and painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen outside Germany. Featuring 475 rich color and black and white reproductions, Bauhaus 1919-1933 includes two comprehensive essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that synthesize new perspectives on the Bauhaus. Shorter essays by twenty leading scholars apply contemporary viewpoints to thirty key Bauhaus objects, and an illustrated narrative chronology."
Art, German --- Art, European --- Modernism (Art) --- Modernism (Art)
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The first US artist to win the Golden Lion at the Venice Biennale in 1963, Robert Rauschenberg blazed a new trail for art in the second half of the 20th century. Bringing together a selection of key works from different periods, the book will provide a long overdue opportunity to discover a remarkably consistent artistic trajectory which steadfastly refused to be straight-jacketed by rules and conventions. Each chapter in Rauschenberg's six-decade career will be represented by major works. This book collects 14 essays focusing on key moments in Rauschenberg's oeuvre.
7.07 --- 77.092.07 --- 75.07 --- Beeldende kunst ; Verenigde Staten ; 20ste eeuw --- Rauschenberg, Robert (Milton Ernest Rauschenberg) 1925-2008 (°Port Arthur, Texas, Verenigde Staten) --- Assemblages ; collages --- Junk sculpture --- Performances --- Neo-Dadaisme --- Tentoonstellingscatalogi ; New York ; MOMA --- kunst --- performances --- Blackmountain college --- Albers Josef --- kunst en technologie --- twintigste eeuw --- 75.071 RAUSCHENBERG --- 7.071 RAUSCHENBERG --- assemblage --- installaties --- schilderkunst --- Rauschenberg Robert --- Verenigde Staten --- pop art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Fotografen A - Z --- Schilderkunst ; schilders --- Rauschenberg, Robert, --- Rauschenberg, Milton Ernest, --- Exhibitions --- 20e siècle --- Rauschenberg, Robert --- performance art --- assemblages [sculpture] --- choreography --- mixed media --- sculpture [visual works] --- collages [visual works] --- prints [visual works] --- Art --- easel paintings [paintings by form] --- paintings [visual works]
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Art styles --- Art --- anno 1900-1999
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Art styles --- Art --- History --- art history --- Abstract [modern European style] --- Brancusi, Constantin --- Arp, Hans --- Eggeling, Viking --- Berlewi, Henryk --- Coburn, Alvin Langdon --- Richter, Hans --- Tatlin, Vladimir --- Lissitzky, El --- Stieglitz, Alfred --- Severini, Gino --- Delaunay, Robert --- Duchamp, Marcel --- Lewis, Wyndham --- Picasso, Pablo --- Albers, Josef --- Atkinson, Lawrence --- Kupka, Frantz --- Leck, van der, Bart --- Schönberg, Arnold --- Chlebnikow, Welimir --- Doesburg, van, Theo --- Hartley, Marsden --- Léger, Fernand --- Szpakowski, W. --- Krucenych, Aleksej --- Whistler, James Abbott McNeill --- Cendrars, Blaise --- Itten, Johannes --- Russell, Morgan --- Klee, Paul --- Gontcharova, Natalia --- Rodtschenko, Alexander Michajlowitsch --- Marinetti, Filippo Tommaso --- Moholy-Nagy, László --- Schlemmer, Oskar --- Tzara, Tristan --- Strand, Paul --- Cézanne, Paul --- Marc, Franz --- Majakovskij, Vladimir V. --- Ball, Hugo --- Kandinsky, Wassily --- Picabia, Francis --- Vantongerloo, Georges --- Boccioni, Umberto --- Carrà, Carlo --- Braque, Georges --- Mondriaan, Piet --- Covarrubias, Miguel --- Bomberg, David --- Delaunay, Sonia --- Apollinaire, Guillaume --- Duchamp-Villon, Raymond --- Depero, Fortunato --- Stella, Joseph --- Dove, Arthur Garfield --- Balla, Giacomo --- Bell, Vanessa --- Bortnyik, Sandor --- Cangiullo, Francesco --- Schwitters, Kurt --- Gaudier-Brzeska, Henri --- Giacometti, Augusto --- Grant, Duncan --- Hoelzel, Adolf --- Huszár, Vilmos --- Kliun, Ivan --- Klucis, Gustavs --- Kobro, Katarzyna --- Larionov, Michail Fiodorovich --- Matyushin, Mikhail Vasilievich --- O'Keeffe, Georgia --- Popova, Lyubov Sergeevna --- Russolo, Luigi --- Strzeminski, Wladyslaw --- Survage, Léopold --- Taeuber-Arp, Sophie Henriette Gertrud --- Weber, Max --- Malevitsj, Kasimir --- Buonarroti, Michelangelo --- Bragaglia, Anton Giulio --- Macke, August --- Man Ray --- anno 1900-1999 --- anno 2000-2099 --- Whistler, James McNeill
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Arts, Modern --- Dadaism --- Taeuber-Arp, Sophie Henriette Gertrud --- Tzara, Tristan --- Huelsenbeck, Richard --- Arp, Hans --- Duchamp, Suzanne --- Richter, Hans --- Aragon, Louis --- Grosz, Georg --- Schad, Christian --- Eluard, Paul --- Baader, Johannes --- Crotti, Jean --- Ball, Hugo --- Doesburg, van, Theo --- Beeldende kunst ; 1ste h. 20ste eeuw ; Dada --- Tentoonstellingscatalogi ; Parijs ; Centre G. Pompidou --- Tentoonstellingscatalogi ; Washington ; National Gallery of Art --- Kunstgeschiedenis ; 1900 - 1950 --- (069) --- 7.037 --- (Musea. Collecties) --- dadaïsme --- Art --- Dada --- Art styles --- Breton, André --- Picabia, Francis --- Ernst, Max --- Man Ray --- Dix, Otto --- Schwitters, Kurt --- Höch, Hannah --- Duchamp, Marcel --- anno 1910-1919 --- anno 1920-1929 --- Exhibitions
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"The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers - among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, Laszlo Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stolzl - in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education." "Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history."--BOOK JACKET.
Bauhaus --- Gropius, Walter --- Feininger, Lyonel --- Schreyer, Lothar --- Determann, Walter --- Albers, Jozef --- Breuer, Marcel --- Stölzl, Gunta --- Bogler, Theodor --- Mögelin, Else --- Kandinsky, Wassily --- Moholy-Nagy, László --- Jucker, Carl Jakob --- Hartwig, Joseph --- Buscher, Alma --- Schlemmer, Oskar --- Bayer, Herbert --- Moholy, Lucia --- Brandt, Marianne --- Meyer, Hannes --- Klee, Paul --- Pahl, Pius --- kunst --- architectuur --- design --- grafische vormgeving --- meubelkunst --- Duitsland --- twintigste eeuw --- kunsttheorie --- kleur --- kleurtheorie --- Gropius Walter --- Schreyer Lothar --- Determann Walter --- Albers Josef --- Breuer Marcel --- Stölzl Gunta --- Bogler Theodor --- Mögelin Else --- Kandinsky Wassily --- Moholy-Nagy Laszlo --- Wagenfeld Wilhelm --- Hartwig Joseph --- Buscher Alma --- Schlemmer Oskar --- Bayer Herbert --- Pahl Pius --- Meyer Hannes --- Brandt Marianne --- Moholy Lucia --- 7.037 --- Exhibitions --- Art, European --- Art, German --- Modernism (Art) --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Berlin (Germany). --- Dessau (Dessau, Germany). --- Weimar (Thuringia, Germany). --- Baohaosi --- Bauhaus Dessau --- Staatliches Bauhaus --- Bauhaus. --- Art allemand --- Art européen --- Modernisme (Art) --- History --- Exhibitions. --- Histoire --- Expositions --- Gropius, Walter. --- Feininger, Lyonel. --- Schreyer, Lothar. --- Determann, Walter. --- Albers, Jozef. --- Breuer, Marcel. --- Stölzl, Gunta. --- Bogler, Theodor. --- Mögelin, Else. --- Kandinsky, Wassily. --- Moholy-Nagy, László. --- Jucker, Carl Jakob. --- Hartwig, Joseph. --- Buscher, Alma. --- Schlemmer, Oskar. --- Bayer, Herbert. --- Moholy, Lucia. --- Brandt, Marianne. --- Meyer, Hannes. --- Klee, Paul. --- Pahl, Pius.
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In celebrating this bold arsthetic adventure on its centennial, "Inventing abstraction" focuses on its first fifteen years, as its ideas eveloped and spread through a wide international networkof modern artists. Passing not only through cities thousands of miles apart, it also reached into many mediums - into painting, drawing, sculpture, photography, and film, into writing and the book, into music and dance. To tell the story of this watershed period, "Inventing abstraction" features extensive illustrations of works in all these forms.
Abstraction --- 1910 - 1925 --- abstracte kunst --- 20ste eeuw --- Art abstrait --- abstracte, niet-figuratieve kunst --- abstracte kunst. --- 1910 - 1925. --- 20ste eeuw.
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