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Nonprofit enterprise in the arts
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ISBN: 0195040635 1423758404 0195364880 1280439483 1601296045 9781423758402 9781601296047 9786610439485 6610439486 9780195040630 Year: 1986 Publisher: New York Oxford University Press

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Taking the dichotomy of nonprofit ""high culture"" and for-profit ""popular culture"" into consideration, this volume assesses the relationship between social purpose in the arts and industrial organization. DiMaggio brings together some of the best works in several disciplines that focus on thesignificance of the nonprofit form for our cultural industries, the ways in which nonprofit arts organizations are financed, and the constraints that patterns of funding place on the missions that artists and trustees may wish to pursue. Showing how the production and distribution of art areorganized

The twenty-first century firm : changing economic organization in international perspective.
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ISBN: 0691116318 0691058512 9786612159107 1282159100 1400828309 9781400828302 9780691058511 9780691116310 9781282159105 6612159103 Year: 2001 Publisher: Princeton (N.J.) Princeton university press

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Students of management are nearly unanimous (as are managers themselves) in believing that the contemporary business corporation is in a period of dizzying change. This book represents the first time that leading experts in sociology, law, economics, and management studies have been assembled in one volume to explain the varying ways in which contemporary businesses are transforming themselves to respond to globalization, new technologies, workforce transformation, and legal change. Together their essays, whose focal point is an emerging network form of organization, bring order to the chaotic tumble of diagnoses, labels, and descriptions used to make sense of this changing world. Following an introduction by the editor, the first three chapters--by Walter Powell, David Stark, and Eleanor Westney--report systematically on change in corporate structure, strategy, and governance in the United States and Western Europe, East Asia, and the former socialist world. They separate fact from fiction and established trend from extravagant extrapolation. This is followed by commentary on them: Reinier Kraakman affirms the durability of the corporate form; David Bryce and Jitendra Singh assess organizational change from an evolutionary perspective; Robert Gibbons considers the logic of relational contracting in firms; and Charles Tilly probes the deeper historical context in which firms operate. The result is a revealing portrait of the challenges that managers face at the dawn of the twenty-first century and of how the diverse responses to those challenges are changing the nature of business enterprise throughout the world.


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Gender, networks, and cultural capital
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Year: 2004 Publisher: Amsterdam: North-Holland,

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Museum research
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Year: 1996 Publisher: Amsterdam: Elsevier,

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Managers of the arts: careers and opinions of senior administrators of US art museums, symphony orchestras, resident theaters, and local arts agencies
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ISBN: 093202050X Year: 1987 Publisher: Washington, D.C. Seven Locks Press

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Meaning and measurement in the sociology of culture
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Year: 1994 Publisher: Amsterdam North-Holland

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Museum research
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Year: 1996 Publisher: Amsterdam Elsevier

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Race, ethnicity, and participation in the arts : patterns of participaion by Hispanics, Whites, and African-Americans in selected activities from the 1982 and 1985 surveys of public participaion in the arts
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ISBN: 0929765036 Year: 1992 Publisher: Washington (Wash.) : Seven Locks press,

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Meaning and measurement in the sociology of culture
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Year: 1994 Publisher: Amsterdam : Elsevier science,

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