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Drawing on original archival research, A Feminine Enlightenment argues that women writers shaped Enlightenment conversations regarding the role of sentiment and gender in the civilizing process. By reading women's literature alongside history and philosophy and moving between the eighteenth century and Romantic era, JoEllen DeLucia challenges conventional historical and generic boundaries. Beginning with Adam Smith's Theory of Moral Sentiments (1759), she tracks discussions of 'women's progress' from the rarified atmosphere of mid-eighteenth-century Bluestocking salons and the masculine domain of the Scottish university system to the popular Minerva Press novels of the early nineteenth century. Ultimately, this study positions feminine genres such as the Gothic romance and Bluestocking poetry, usually seen as outliers in a masculine Age of Reason, as essential to understanding emotion's role in Enlightenment narratives of progress. The effect of this study is twofold: to show how developments in women's literature reflected and engaged with Enlightenment discussions of emotion, sentiment, and commercial and imperial expansion; and to provide new literary and historical contexts for contemporary conversations that continue to use 'women's progress' to assign cultures and societies around the globe a place in universalizing schemas of development. Key Features: * Establishes the centrality of gender to Enlightenment discussions of social and historical development * Uncovers evidence of women writers' participation in the Scottish Enlightenment's theorization of sentiment and historical progress *Provides literary and historical background for ongoing discussions of the history of emotion and the study of affect
English literature --- Women authors --- English literature - Women authors --- English literature. --- History and criticism.
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This collection initiates transnational, transcultural and interdisciplinary conversations about migration in the eighteenth and nineteenth centuries.
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This innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth century. This innovative volume presents for the first time collective expertise on women's magazines and periodicals of the long eighteenth century. While this period witnessed the birth of modern periodical culture and its ability to shape aspects of society from the popular to the political, most studies have traditionally obscured the very active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain. The 30 essays here demonstrate the importance of periodicals to women, the importance of women to periodicals, and, crucially, they correct the destructive misconception that the more canonized periodicals and popular magazines were enemy or discontinuous forms. This collection shows how both periodicals and women drove debates on politics, education, theatre, celebrity, social practice, popular reading and everyday life itself.Divided into 6 thematic parts, the book uses innovative methodologies for historical periodical studies, thereby mapping new directions in eighteenth-century and Romantic studies, women's writing as well as media and cultural history. While our period witnessed the birth of modern periodical culture, most studies have obscured the active role women's voices and women readers played in shaping the periodicals that in turn shaped Britain.Key FeaturesPresents the first major study of the key role women played as authors, editors, and readers of periodicals and magazines in the long eighteenth century
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