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Riemenschneider, Tilman --- Riemenschneider, Tilman, --- Dill, Meister, --- Meister Dill, --- Meister Till, --- Meister Tyl, --- Riemenschneider, Dill, --- Riemenschneider, Hans Tilmann, --- Riemenschneider, Tilmann, --- Till, Meister, --- Tyl, Meister, --- Exhibitions

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Duitse school --- Keulse school --- Lochner, Stefan

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Elucidating the steps that led to a finished work of art has been one of Molly Faries’ principal concerns in nearly forty years of research and teaching. A pioneer in infrared reflectography, she has demonstrated like no other scholar the importance of technical studies to art history, in the way that they provide insight into an artist’s technique and development, into collaboration within a workshop, and into master-pupil relationships. Molly Faries has taught generations of students and colleagues to view paintings not as static objects but as the results of successive choices.The volume’s title, Invention: Northern Renaissance Studies in Honor of Molly Faries, evokes Molly’s passion for understanding an artist’s creative process. The term “invention” is here understood in the widest possible sense: How did a work of art come into being? How did an artist react to new stimuli or adapt to a new culture? Was innovation valued above adherence to a local tradition? To what degree could artists shape their patrons’ taste? How did artists transform their own inventions over time and adopt those of others? Was there a concept of invention specific to the Northern Renaissance and how did it differ from ours?The authors who tackle these and other questions include university professors, curators, conservators, and conservation scientists, all recognized specialists in northern European art of the fifteenth and sixteenth centuries. The artists they discuss are among the greatest painters, manuscript illuminators, printmakers, and sculptors: Johan Maelwael, the Limbourg brothers, Jan van Eyck, Rogier van der Weyden, Hans Memling, Lieven van Lathem, Juan de Flandes, Jean Hey, Albrecht Dürer, Hieronymus Bosch, Master H.L., Jacques Du Broeucq, and Jan Brueghel the Elder.This book, one of the few devoted specifically to the concept of invention in Northern Renaissance art, is richly illustrated with 32 color plates and 179 black-and-white reproductions; it includes an index.

History --- Renaissance --- invention --- art history --- Conservation. Restoration --- technical art history --- Art --- Festschriften --- Faries, Molly --- anno 1400-1499 --- anno 1500-1599 --- Europe: North --- Art, Renaissance --- Art de la Renaissance --- renaissance --- Maelwael, Johan --- Eyck, Jan van --- Weyden, Rogier van der --- Memling, Hans --- Lathem, Lieven van --- Juan de Flandes --- Hey, Jean --- Meester van Moulins --- Bosch, Jheronimus --- Meester H.L. --- Du Broeucq, Jacques --- Dürer, Albrecht --- Nederlanden --- Schilderkunst ; Noordelijke Renaissance ; ontwerpproces a.h.v. infrarood reflectografie --- Schilderkunst ; Noordelijke Nederlanden ; 15de eeuw --- 7.034.1 --- Renaissancekunst --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- 7.034.1 Renaissancekunst --- Renaissance art --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- van der Weyden, Rogier --- Noordelijke scholen --- Faries, Molly. --- Maelwael, Johan. --- van Eyck, Jan. --- van der Weyden, Rogier. --- Memling, Hans. --- Lathem, Lieven van. --- Juan de Flandes. --- Hey, Jean. --- Meester van Moulins. --- Bosch, Jheronimus. --- Du Broeucq, Jacques. --- Dürer, Albrecht. --- Nederlanden. --- Europe du Nord --- van Eyck, Jan --- van Lathem, Lieven

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One of the greatest sculptors of the later Middle Ages, Tilman Riemenschneider (c. 1460-1531) struck a rare balance between formal elegance and expressive strength. His sculpture is noted for such innovative qualities as the acknowledgment of the viewer's mobility, an exquisite finish, and the occasional abandonment of polychromy (painted and gilded decoration). While anchored in the late Gothic tradition, Riemenschneider's work also reflects the emerging humanist concerns of the period. In this generously illustrated book, historians, art historians, and conservators from the United States, Germany, and Austria discuss Riemenschneider's art from various perspectives, addressing such issues as attribution, pictorial rhetoric, surface treatment, and critical reception. As the companion volume to the catalogue of the exhibition on the sculptor held in Washington and New York in 1999 and 2000, this book sheds light not only on a master sculptor whose work is admired today as among the most appealing of his era, but also on the art and culture of the late Middle Ages and Central Europe.

Riemenschneider, Tilman,

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Painting, Netherlandish --- Painting, European --- Painting, Central European --- Flemish influences. --- Groeningemuseum