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Female writers of the Gothic were hell-raisers in more than one sense: not only did they specialize in evoking scenes of horror, cruelty, and supernaturalism, but in doing so they exploded the literary conventions of the day, and laid claim to realms of the imagination hitherto reserved for men. They were rewarded with popular success, large profits, and even critical adulation. E.J. Clery's acclaimed study tells the strange but true story of women's gothic. She identifies contemporary fascination with the operation of the passions and the example of the great tragic actress Sarah Siddons as enabling factors, and then examines in depth the careers of two pioneers of the genre, Clara Reeve and Sophie Lee, its reigning queen, Ann Radcliffe, and the daring experimentalists Joanna Baillie and Charlotte Dacre. The account culminates with Mary Shelley, whose Frankenstein (1818) has attained mythical status. Students and scholars as well as general readers will find Women's Gothic a stimulating introduction to an important literary mode.

Horror tales, English --- English fiction --- History and criticism. --- Women authors

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This study discusses every phase of Dickens' development within his fiction, while particular attention is paid to those writings which fall into the category of first person narrative. It is through the use of the first person in novels, letters and travel writings that Dickens reveals a good deal, not only about his own identity, but also about the construction of Victorian subjectivity in general. The overriding focus of the analysis in this book is a literary one, although it includes a series of reflections on aspects of Victorian society and culture: prisons, schools, money, poverty, fallen women, orphans, detectives and The Great Exhibition.

Dickens, Charles, --- Dickens, Charles --- Dikensi, Čʻarlz, --- Dickens, Karol, --- Dikens, Charlz, --- Ti-keng-ssu, --- Digengsi, --- Dikkens, Charlz, --- Dikensas, Čarlzas, --- Ṭikkan̲s, Cārls, --- Ṭikkan̲cu, Cārlacu, --- Ṭikkan̲s, Cārlas, --- Диккенс, Чарлз, --- דיקינס, צ׳רלס, --- דיקנס, ַ צ׳רלז --- דיקנס, טשרלס --- דיקנס, צ׳רלז, --- דיקנס, צ׳רלס --- דיקנס, צ׳רלס, --- דיקענס, טש --- דיקענס, טשארלז --- דיקענס, טשארלז, --- דיקענס, טש., --- דיקקענס, טשארלז --- טשרלס, דיקנס --- チャールズ.ディケンズ, --- 狄更斯查尔斯, --- Boz, --- Sparks, Timothy, --- Criticism and interpretation.

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This is the first full length study of one of the most important English poets of the twentieth century.

Gurney, Ivor, --- Criticism and interpretation. --- Literary style. --- Literature --- Style, Literary --- Language and languages --- Rhetoric --- Style

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A fresh approach to Thomas Middleton's career that focuses attention on his relations with Dekker, Shakespeare, and Rowley.

Middleton, Thomas, --- Criticism and interpretation. --- Dramatists, English --- Authorship --- Collaboration. --- Friends and associates. --- Collaboration in literature --- Collaborative authorship --- Joint authors --- Literary collaboration --- Artistic collaboration --- Copyright --- Collective writing