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Art --- Manning, Robert L. --- Suida-Manning, Bertina --- Blanton Museum of Art [Austin, Tex.]
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Genoa completed its transformation from a faded maritime power into a thriving banking center for Europe in the seventeenth century. The wealth accumulated by its leading families spurred investment in the visual arts on an enormous scale. This volume explores how artists both foreign and native created a singularly rich and extravagant expression of the baroque in works of extraordinary variety, sumptuousness, and exuberance. This art, however, has remained largely hidden behind the facades of the city's palaces, with few works, apart from those by the school's great expatriates, found beyond its borders. As a result, the Genoese baroque has been insufficiently considered or appreciated.0Lavishly illustrated, 'A Superb Baroque' is comprehensive, encompassing all the major media and participants. Presented are some 140 select works by the celebrated foreigners drawn to the city and its flourishing environment. Offering three levels of exploration-essays that frame and interpret, section introductions that characterize principal currents and stages, and texts that elucidate individual works-this volume is by far the most extensive study of the Genoese baroque in the English language.00Exhibition: National Gallery of Art, Washington, DC, USA (03.05.-16.08.2020) / Scuderie del Quirinale, Rome, Italy (03.10.2020 - 10.01.2021).
Art --- art [fine art] --- Baroque --- anno 1600-1699 --- anno 1700-1799 --- Genoa --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History --- Exhibitions --- Art, Primitive --- barok --- Magnasco, Alessandro --- 1600 - 1750 --- 17de eeuw --- 18de eeuw --- Genua --- barok. --- Magnasco, Alessandro. --- 1600 - 1750. --- 17de eeuw. --- 18de eeuw. --- Genua. --- art [discipline] --- Genua, school van --- Société pour l'encouragement des Beaux-Arts à Malines (1812- ). --- tentoonstelling Mechelen (1855). --- Hunin, Aloys. --- 19de eeuw. --- België.
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Art --- prints [visual works] --- Renaissance --- maiolica --- anno 1400-1499 --- anno 1500-1599 --- bronzes [visual works] --- Art [Renaissance ]
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The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing multiple woodblocks inked in different tones to create an image, the chiaroscuro woodcut was one of the earliest, most successful forays into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the 16th century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. --DelMonico Books
Graphic arts --- chiaroscuro woodcuts --- Italian Renaissance-Baroque styles --- anno 1500-1599 --- Italy --- Gravure sur bois de la Renaissance --- Clair-obscur --- Gravure sur bois de la Renaissance. --- clair-obscur --- houtsneden --- renaissance --- techniek --- watermerken --- Andreani, Andrea --- Antonio da Trento --- Beccafumi, Domenico --- Parmigianino (pseud.) --- Ugo da Carpi --- Vicentino, Niccolò --- 16de eeuw --- Europa --- Italië --- zebra --- houtsnede --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- watermerk --- 761.1 --- 76 <45> "15" --- 76 <45> "16" --- 76 <45> "16" Grafische kunsten. Grafiek. Prentkunst--Italië--17e eeuw. Periode 1600-1699 --- Grafische kunsten. Grafiek. Prentkunst--Italië--17e eeuw. Periode 1600-1699 --- 76 <45> "15" Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--Italië--16e eeuw. Periode 1500-1599 --- 761.1 Hoogdruktechnieken: houtsneden --- Hoogdruktechnieken: houtsneden --- clair-obscur. --- houtsnede. --- techniek. --- watermerk. --- Ugo da Carpi. --- Antonio da Trento. --- Parmigianino (pseud.). --- Vicentino, Niccolò. --- Andreani, Andrea. --- Beccafumi, Domenico. --- 16de eeuw. --- Italië. --- Europa. --- Rops, Félicien. --- Coster, Charles de.
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Exhibitions --- Art --- Baroque --- anno 1600-1699 --- anno 1700-1799 --- Genoa --- Art, Baroque --- Baroque art --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics
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Sculpture --- Painting --- Genua, school van --- Baroque --- anno 1600-1699 --- anno 1700-1799 --- Genoa
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geschiedenis. --- Cambiaso, Luca. --- Castello, Giovanni Battisto. --- 16de eeuw. --- 17de eeuw. --- Genua. --- Spanje.
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