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Polemology --- History of Eastern Europe --- anno 1980-1989 --- anno 1970-1979 --- anno 1990-1999 --- Russian Federation --- Russia --- Soviet Union --- Military policy --- Foreign relations --- 1975-1985 --- 1985-1991 --- Russia (Federation)

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This 1999 book examines the way in which the Romantic period's culture of posterity inaugurates a tradition of writing which demands that the poet should write for an audience of the future: the true poet, a figure of neglected genius, can be properly appreciated only after death. Andrew Bennett argues that this involves a radical shift in the conceptualization of the poet and poetic reception, with wide-ranging implications for the poetry and poetics of the Romantic period. He surveys the contexts for this transformation of the relationship between poet and audience, engaging with issues such as the commercialization of poetry, the gendering of the canon, and the construction of poetic identity. Bennett goes on to discuss the strangely compelling effects which this reception theory produces in the work of Wordsworth, Coleridge, Keats, Shelley and Byron, who have come to embody, for posterity, the figure of the Romantic poet.

Authors and readers --- Ecrivains et lecteurs --- Esthétique de la réception --- Reader-response criticism --- Schrijvers en lezers --- Romanticism --- -English poetry --- -English literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Readers and authors --- Authorship --- History and criticism --- -History and criticism --- Authors and readers. --- English poetry. --- English poetry - 19th century - History and critic. --- Reader-response criticism. --- Romanticism. --- English poetry --- English Literature --- English --- Languages & Literatures --- Theory, etc --- Theory, etc. --- -Reader-oriented criticism --- English literature --- History and criticism&delete& --- 19th century --- Great Britain --- Reader response criticism. --- Arts and Humanities --- Literature

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Authors and readers --- Books and reading --- Reader-response criticism --- Ecrivains et lecteurs --- Livres et lecture --- Esthétique de la réception --- 82.085.43 --- 028 --- Literaire receptie --- Lezen. Lectuur --- Authors and readers. --- Books and reading. --- Reader-response criticism. --- 028 Lezen. Lectuur --- 82.085.43 Literaire receptie --- Esthétique de la réception --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Appraisal of books --- Books --- Choice of books --- Evaluation of literature --- Literature --- Reading, Choice of --- Reading and books --- Reading habits --- Reading public --- Reading interests --- Reading promotion --- Readers and authors --- Authorship --- Appraisal --- Evaluation

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Andrew Bennett argues in this fascinating book that ignorance is part of the narrative and poetic force of literature and is an important aspect of its thematic focus: ignorance is what literary texts are about. He sees that the dominant conception of literature since the Romantic period involves an often unacknowledged engagement with the experience of not knowing. From Wordsworth and Keats to George Eliot and Charles Dickens, from Henry James to Joseph Conrad, from Elizabeth Bowen to Philip Roth and Seamus Heaney, writers have been fascinated and compelled by the question of ignorance, inclu

English literature --- Ignorance (Theory of knowledge) in literature. --- History and criticism. --- Literature --- Literature: History & Criticism --- LITERARY COLLECTIONS / Essays --- Literary essays --- Romantic period. --- agnoiology. --- democracy. --- ethical. --- ignorance. --- literary texts. --- literature. --- narrative force. --- not knowing. --- poetics.

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William Wordsworth's poetry responded to the enormous literary, political, cultural, technological and social changes that the poet lived through during his lifetime (1770‒1850), and to his own transformation from young radical inspired by the French Revolution to Poet Laureate and supporter of the establishment. The poet of the 'egotistical sublime' who wrote the pioneering autobiographical masterpiece, The Prelude, and whose work is remarkable for its investigation of personal impressions, memories and experiences, is also the poet who is critically engaged with the cultural and political developments of his era. William Wordsworth in Context presents thirty-five concise chapters on contexts crucial for an understanding and appreciation of this leading Romantic poet. It focuses on his life, circle, and composition; on his reception and influence; on the significance of late eighteenth and early nineteenth century literary contexts; and on the historical, political, scientific and philosophical issues that helped to shape Wordsworth's poetry and prose.

Wordsworth, William, --- Wœ̄tsawœ̄t, Winlīam, --- Wurdzwurth, Wilyam, --- Varḍsavartha Viliyama, --- Axiologus, --- Criticism and interpretation.