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"The Disney Middle Ages: A Fairy-Tale and Fantasy Past examines the intersection between the products of the Walt Disney Company and popular culture's fascination with the Middle Ages. The Disney Middle Ages have come, for many, to figure as the Middle Ages, forming the earliest visions of the medieval past for much of the contemporary western (and increasingly eastern) imaginary. The Disney Middle Ages explores Disney's accounts of the Middle Ages and their political and cultural ramifications, analyzing how these re-creations of a fairy-tale history function in modern society"--

Medievalism --- Middle Ages in motion pictures --- Fairy tales --- Medievalism --- Commercial products --- Medievalism in art --- Social aspects --- Social aspects --- Political aspects --- Social aspects --- Walt Disney Productions.

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The Road to Wicked examines the long life of the Oz myth. It is both a study in cultural sustainability— the capacity of artists, narratives, art forms, and genres to remain viable over time—and an examination of the marketing machinery and consumption patterns that make such sustainability possible. Drawing on the fields of macromarketing, consumer behavior, literary and cultural studies, and theories of adaption and remediation, the authors examine key adaptations and extensions of Baum’s 1900 novel. These include the original Oz craze, the MGM film and its television afterlife, Wicked and its extensions, and Oz the Great and Powerful—Disney’s recent (and highly lucrative) venture that builds on the considerable success of Wicked. At the end of the book, the authors offer a foundational framework for a new theory of cultural sustainability and propose a set of explanatory conditions under which any artistic experience might achieve it.

Popular Culture. --- Theater. --- Industrial management. --- Children's literature. --- Popular Culture . --- Theatre Industry. --- Media Management. --- Children's Literature. --- Contemporary Theatre. --- Juvenile literature --- Literature --- Business administration --- Business enterprises --- Business management --- Corporate management --- Corporations --- Industrial administration --- Management, Industrial --- Rationalization of industry --- Scientific management --- Management --- Business --- Industrial organization --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Fantasy fiction, American --- Economic aspects. --- Baum, L. Frank --- Appreciation. --- American fantasy fiction --- Fantastic fiction, American --- American fiction --- Baum, Frėnk, --- Baum, Lyman Frank, --- Akers, Floyd, --- Bancroft, Laura, --- Cooke, John Estes, --- Fitzgerald, Hugh, --- Metcalf, Suzanne, --- Staunton, Schuyler, --- Van Dyne, Edith, --- ʻǢn. Frǣnk Bōm, --- Pām, El. K̲aprāṅk, --- Pām, L. K̲aprāṅk, --- Baum, Frank L., --- Pōm, El. Pirāṅk, --- Pōm, L. Pirāṅk, --- באום, ל. פראנק

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Thematology --- Old English literature --- Arthur [King] --- Arthurian romances --- English literature --- Cycle d'Arthur --- Littérature anglaise --- History and criticism. --- Histoire et critique --- Great Britain --- Grande-Bretagne --- History --- Histoire --- Littérature anglaise --- King Arthur [Fictitious character]