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Church music --- Libretto --- Music and literature --- Symbolism in music
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Music --- Symbolism in music --- Religious aspects --- Messiaen, Olivier,
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Harp in art --- Harp --- Symbolism in music --- History
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Music is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
Music --- Symbolism in music. --- Philosophy and aesthetics. --- Semiotics. --- Symbolism in music --- Semiotics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Philosophy
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Symbolism in music --- Symbolisme dans la musique --- Symbolisme en musique --- 78.81 --- 78.90
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Impressionism (Music) --- Symbolism in music --- Music --- Impressionism in music --- Style, Musical --- Debussy, Claude --- impressionisme --- symbolisme
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Motets --- Motets --- Musica ficta. --- Symbolism in music. --- History and criticism --- History and criticism
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Opera --- Opera --- Symbolism in music --- Opéra --- Opéra --- Symbolisme dans la musique
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Death in music --- Symbolism in music --- Mort dans la musique --- Symbolisme dans la musique --- Debussy, Claude,
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Music and rhetoric. --- Symbolism in music --- Musique et rhétorique --- Symbolisme dans la musique