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Book
Les images ou Tableaux de platte-peinture
Authors: --- ---
ISBN: 2852035162 9782852035164 Year: 1995 Volume: 3 Publisher: Paris : Champion,


Book
Réflexions critiques sur la poésie et sur la peinture
Authors: --- ---
ISBN: 284056002X 9782840560029 Year: 1993 Publisher: Paris École nationale supérieure des beaux-arts

The Figino, or On the Purpose of Painting
Authors: ---
ISBN: 0802035744 080208446X 9786612014642 1282014641 1442681276 9781442681279 9781282014640 9780802035745 9780802084460 Year: 2002 Publisher: Toronto

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Abstract

Of the many treatises written in Italy during the Counter-Reformation, none is more illustrative of the intellectual fermentation of the period than Comanini's work on the purpose of painting, Il Figino overo del fine della Pittura (1591). Although the importance of Il Figino has long been recognized, the text has remained largely inaccessible to many scholars throughout the world. This first complete English translation will make the work available to those readers for the first time. In Il Figino, Comanini addresses all of the most hotly debated aesthetic issues of the time, drawing on an array of classical, medieval and Renaissance sources, including Plato, Aristotle, Horace, Mazzoni, Tasso and Paleotti. The editor and translator provide copious notes which clarify Comanini's aesthetic and theological references, as well as a lucid introduction that places the issues and debates in context. Comanini's impressive erudition makes his treatise an excellent barometer of the state of scholarship in the Counter-Reformation era. This translation is a long-overdue addition to the field of Renaissance studies.


Book
Museum.
Authors: --- ---
ISBN: 9780674047587 0674047583 Year: 2010 Volume: 44 Publisher: Cambridge Harvard university press

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Abstract

"Federico Borromeo, Cardinal-Archbishop of Milan (1564-1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art, Borromeo recorded his reflections in two treatises." "De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of icono-graphical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection.

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