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Un traité musical en trois parties, qui rappelle les principales règles de la composition et du chant.
Music theory --- Music theory --- Counterpoint --- Théorie musicale --- Théorie musicale --- Contrepoint --- Early works to 1800 --- History --- Sources --- Early works to 1800 --- Ouvrages avant 1800 --- Histoire --- Sources --- Ouvrages jusqu'à 1800
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Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
Composition (Music) --- -Enlightenment --- -Music --- -Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Early works to 1800 --- Philosophy and aesthetics --- -Early works to 1800 --- Music --- Enlightenment --- Musique --- Composition (Musique) --- Siècle des Lumières --- Early works to 1800. --- Philosophie et esthétique --- Ouvrages avant 1800 --- Ouvrages jusqu'à 1800 --- Siècle des Lumières --- Philosophie et esthétique --- Ouvrages jusqu'à 1800 --- Art music --- Philosophy and aesthetics&delete& --- Germany --- 78.81
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Mapping Medieval Geographies explores the ways in which geographical knowledge, ideas and traditions were formed in Europe during the Middle Ages. Leading scholars reveal the connections between Islamic, Christian, Biblical and Classical geographical traditions from Antiquity to the later Middle Ages and Renaissance. The book is divided into two parts: Part I focuses on the notion of geographical tradition and charts the evolution of celestial and earthly geography in terms of its intellectual, visual and textual representations; whilst Part II explores geographical imaginations; that is to say, those 'imagined geographies' that came into being as a result of everyday spatial and spiritual experience. Bringing together approaches from art, literary studies, intellectual history and historical geography, this pioneering volume will be essential reading for scholars concerned with visual and textual modes of geographical representation and transmission, as well as the spaces and places of knowledge creation and consumption.
Geography, Medieval --- Geography in literature --- Cartography --- Géographie --- --Moyen âge, --- Littérature --- --Geography, Medieval --- --Ouvrages jusqu'à 1800 --- Ouvrages jusqu'à 1800 --- Topography in literature --- Cartography, Primitive --- Chartography --- Map-making --- Mapmaking --- Mapping (Cartography) --- Mathematical geography --- Surveying --- Map projection --- Maps --- Geography --- Medieval geography --- --Geography, Medieval. --- Geography in literature. --- Géographie médiévale --- Cartographie --- Geography, Medieval. --- Dans la littérature --- History --- Géographie médiévale --- Géographie dans la littérature --- Early works to 1800 --- Géographie médiévale. --- Dans la littérature. --- --Géographie médiévale. --- --Cartography --- Arts and Humanities --- Cartography - Early works to 1800 --- Moyen âge, 476-1492 --- Géographie médiévale. --- Géographie --- Dans la littérature.
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Imaginary conversations --- Women --- Feminism --- Conduct of life --- Early works to 1800 --- History --- Femmes --- Féminisme --- Early works to 1800. --- History. --- Conduite de la vie --- Ouvrages jusqu'à 1800 --- Histoire --- Ouvrages avant 1800 --- Women - Conduct of life - Early works to 1800 --- Women - History - Early works to 1800 --- Feminism - Early works to 1800 --- FEMMES --- HISTOIRE --- 500-1500, MOYEN AGE --- SOURCES
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Book history --- anno 1400-1499 --- anno 1500-1599 --- Netherlands --- Esther en Ahasuerus --- Iconography --- History of civilization --- Oud Testament --- Bourgondische Nederlanden --- Ahasverus --- House of Burgundy --- Esther --- Bible OT --- Art, Flemish --- Art, Gothic --- Women --- Art flamand --- Art gothique --- Femmes --- Themes, motives --- Conduct of life --- Early works to 1800 --- Thèmes, motifs --- Conduite de la vie --- Ouvrages jusqu'à 1800 --- Esther, --- Xerxes --- Assuerus --- Art --- Bible. --- Themes, motives. --- Early works to 1800. --- Thèmes, motifs --- Ouvrages jusqu'à 1800 --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Gothic art --- Art, Medieval --- Christian art and symbolism --- Flemish art --- Conduct of life&delete& --- Aḥashṿerosh, --- Ahasuerus, --- Assuerus, --- Serse --- Ester, --- Hadassah, --- אסתר --- אסתר, --- Istir, --- Ester (Book of the Old Testament) --- Esther (Book of the Old Testament) --- Megilat Aḥashṿerosh --- Megilat Ester --- מגילת אסתר --- Art. --- Ahasverus [Mythological character]
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