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Painting --- Anguissola, Sofonisba --- Fontana, Lavinia --- hofkunst --- vrouwelijke kunstenaars --- Filips II (Koning van Spanje) --- 16de eeuw --- 17de eeuw --- vrouwelijke kunstenaars. --- hofkunst. --- Anguissola, Sofonisba. --- Fontana, Lavinia. --- Filips II (Koning van Spanje). --- 16de eeuw. --- 17de eeuw. --- vrouwelijke kunstenaar
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Aesthetics of art --- Conservation. Restoration --- Painting --- painting techniques --- painting [image-making] --- art criticism --- easel paintings [paintings by form] --- preserving --- Queen of Shebah --- Fontana, Lavinia
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"Italian women artists of the Renaissance and Baroque" aims to provide the first survey of women professionally active as painters, engravers and sculptors in 16th and 17th century Italy, and to document the socio-cultural context that contributed to shape their lives and oeuvres. This catalogue, published in association with the travelling exhibition which opens at the National Museum of Women in the Arts in Washington D.C., examines the artistic practices and achievements of these remarkable women who managed to gain public, if not, international acclaim. The catalogue features 60 outstanding works by a dozen of foremost Italian female artists (Properzia de' Rossi, Sofonisba Anguissola, Lavinia Fontana, Artemisia Gentileschi, Barbara Longhi, Fede Galizia, Lucia Fretti, Chiara Varotari, Elisabetta Sirani, Orsola Maddalena Caccia, Giavanna Garzoni), and offers an unparalleled opportunity to understand their social predicaments, appreciate their personalities and assess their stylistic developments.
art history --- Italian [culture or style] --- Art --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Italy --- kostuumgeschiedenis --- literatuur --- mecenaat --- mode --- vrouwelijke kunstenaars --- Anguissola, Sofonisba --- Fontana, Lavinia --- Gentileschi, Artemisia --- Sirani, Elisabetta --- 16de eeuw --- 17de eeuw --- Italië --- vrouwelijke kunstenaar --- vrouwelijke kunstenaars. --- mecenaat. --- literatuur. --- kostuumgeschiedenis. --- mode. --- Gentileschi, Artemisia. --- Anguissola, Sofonisba. --- Sirani, Elisabetta. --- Fontana, Lavinia. --- 16de eeuw. --- 17de eeuw. --- Italië.
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Spilimbergo, di, Irene --- Anguissola, Sofonisba --- Fontana, Lavinia --- Art [Italian ] --- Art italien --- Kunst [Italiaanse ] --- Art, Italian. --- Art, Renaissance --- Feminism and art --- Women artists --- Biography --- History and criticism. --- Italy --- History and criticism --- Art [Renaissance ]
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Drawing --- Painting --- Graphic arts --- paintings [visual works] --- drawings [visual works] --- prints [visual works] --- artists [visual artists] --- women [female humans] --- Art: persons --- Fontana, Lavinia --- Kauffmann, Angelica --- anno 1500-1799 --- Women artists --- Art, Modern --- Exhibitions
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Modersohn-Becker, Paula --- Kahlo, Frida --- Fini, Léonor --- Gentileschi, Artemisia --- Claudel, Camille --- Lempicka, de, Tamara --- Tanning, Dorothea --- Anguissola, Sofonisba --- Fontana, Lavinia --- Kauffmann, Angelica --- Lama, Giulia --- Mammen, Jeanne --- Valadon, Suzanne --- Sirani, Elisabetta --- Lisiewska, von, Anna Dorothea
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Fontana, Lavinia --- Bologna --- Lavinia Fontana 1552-1614 (° Bologna, Italië) --- Schilderkunst ; Italië ; 16de eeuw ; Lavinia Fontana --- Schilderkunst ; Italië ; Hoog-Renaissance --- Kunst ; van vrouwen --- 75.07 --- Schilderkunst ; schilders --- Nobility --- Italy --- Bologna (Italy) --- Art patronage --- Women in the professions --- History --- 16th century --- Women artists --- Intellectual life --- Professions --- Artists, Women --- Women as artists --- Artists --- Noble class --- Noble families --- Nobles (Social class) --- Peerage --- Upper class --- Aristocracy (Social class) --- Titles of honor and nobility --- Fontana, Lavinia,
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Hollandse vrouwen van de zeventiende eeuw werden gezien als mooi en hardwerkend. Ze waren netjes en bazig. Wat vertellen deze beelden ons? Waren Hollandse vrouwen zo uniek, of waren de waarnemers aan het overdrijven? Zo ja, waarom dan? Dit boek brengt een aantal essays samen over het beeld van vrouwen in de Gouden Eeuw. In het eerste deel komt de beeldvorming van vrouwen in de literatuur (Jacob Cats, Bredero, …) aan bod. Het tweede deel heeft een meer sociaal-culturele aanpak met aandacht voor migratie, dienstmeisjes, architectuur en autonomie. In een derde deel worden het overschrijden van de gender codes, vrouwelijke schrijfsters en artiesten behandeld.
women [female humans] --- Iconography --- Fontana, Lavinia --- Sociology of the family. Sociology of sexuality --- anno 1600-1699 --- Netherlands --- Italy --- Great Britain --- Women --- History --- 396 <09> --- -Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- Geschiedenis van het feminisme. Vrouwengeschiedenis --- -Women --- -Geschiedenis van het feminisme. Vrouwengeschiedenis --- -396 <09> --- 396 <09> Geschiedenis van het feminisme. Vrouwengeschiedenis --- -396 <09> Geschiedenis van het feminisme. Vrouwengeschiedenis --- Human females --- -Fontana, Lavinia --- Demography --- Art --- Developmental psychology --- Architecture --- Sociology of environment --- Fiction --- Housekeeping --- Schurman, van, Anna Maria --- Bourignon, Antoinette --- Baitelli, Angelica --- 17th century --- Congresses --- England --- Women - Europe - History - 17th century. --- vrouwengeschiedenis --- Married women --- Gender roles --- Artists --- Literature --- Migration --- Images of women --- Féminité --- Housing --- Book --- Service staff
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Art --- vrouwelijke kunstenaar --- women [female humans] --- Vigée-Lebrun, Elisabeth L. --- Cassatt, Mary --- Gentileschi, Artemisia --- Jerichau-Baumann, Elisabeth --- Montigny, Jenny --- Serruys, Yvonne --- Weert, de, Anna --- Peeters, Clara --- Merian, Maria Sibylla --- Anguissola, Sofonisba --- Carriera, Rosalba Giovanna --- Fontana, Lavinia --- Kauffmann, Angelica --- Labille-Guiard, Adélaïde --- Rijck, de, Cornelia --- Ruysch, Rachel --- Sirani, Elisabetta --- Lisiewska, von, Anna Dorothea --- Wautier, Michaelina --- Hemessen, van, Catharina --- Kollwitz, Käthe --- Leyster, Judith
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"What was the role of women artists in Late Renaissance and Baroque Italy? How did they come into their own artistically in a male-dominated world? Such is the premise of the fall exhibition of the Museum of Fine Arts Ghent (MSK). Featuring some fifty paintings, the exhibition sheds light on the critical role of women painters in Italy from 1550 to 1680. Artemisia Gentileschi (1593-1652), arguably the most famous female artist of 17th-century Italian art, figures prominently in the exhibition, which compares her work with that of her female contemporaries. The inclusion of decorative art objects from the period serve to contextualize the works of these women. During the 16th and 17th centuries, women artists in Venice, Rome, Naples, and Bologna undeniably shared a common ground that earned them their own place in the Baroque aesthetics. These women chose to dedicate themselves to painting and, consequently, to compete with accomplished male artists and their studios...'The ladies of the baroque' shows how these painters tackled the restrictions of their time in inventive ways. To that end, the MSK has brought together an exceptional selection of works from both prestigious museum such as the Galleria degli Uffizi (Firenze), the Gemäldegalerie (Berlin) and the Galleria Borghese (Rome), as well as finds from important private collections. Many of these works have been on public display only occasionally or are presented now for the first time."-- Museum voor Schone Kunsten Gent website.
Painting, Baroque --- Women artists --- 75.034 --- Schilderkunst ; Italië ; 16de en 17de eeuw --- Schilderkunst ; Barok --- Vrouwelijke kunstenaars --- Tentoonstellingscatalogi ; Gent ; Museum voor Schone Kunsten --- Artists, Women --- Women as artists --- Artists --- Schilderkunst ; Renaissance. Barok. Rococo --- Exhibitions --- 75.034(450) --- Schilderkunst ; Renaissance. Barok. Roccoco ; Italië --- Painting --- women [female humans] --- Italian Renaissance-Baroque styles --- anno 1600-1699 --- anno 1500-1599 --- Italy --- vrouw in de kunst --- Fontana, Lavinia --- Sirani, Elisabetta --- Vezzi, Virginia --- Caccia, Orsola Maddalena [Suor] --- Galizia, Fede --- Garzoni, Giovanna --- Gentileschi, Artemisia --- Anguissola, Sofonisba --- easel paintings [paintings by form] --- kunst --- zeventiende eeuw --- zestiende eeuw --- gender studies --- feminisme --- Italië --- barok --- schilderkunst --- contrareformatie --- vrouwelijke kunstenaars --- Cacci, Orsola Maddalena --- Robusti, Marietta --- 16de eeuw --- 17de eeuw --- vrouwelijke kunstenaars. --- barok. --- contrareformatie. --- Anguissola, Sofonisba. --- Garzoni, Giovanna. --- Robusti, Marietta. --- Fontana, Lavinia. --- Galizia, Fede. --- Cacci, Orsola Maddalena. --- Gentileschi, Artemisia. --- Vezzi, Virginia. --- Sirani, Elisabetta. --- 16de eeuw. --- 17de eeuw. --- Italië. --- Painting, Italian --- Women painters --- History --- vrouwelijke kunstenaar