Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Phenomenology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Dieses Buch bietet einen neuen Blick auf die Wandlung des phänomenologischen Konzepts der Erscheinung, wie es sich, ausgehend von Husserl über Heidegger, Maurice Merleau-Ponty und Jan Patoka, in der neueren französischen Phänomenologie bei Emmanuel Lévinas, Michel Henry, Jean-Luc Marion und Marc Richir entfaltet hat. Michel Henry, der sich gegen die Husserlsche Differenz von Erlebnis und Phänomen wendet, richtet sich auch gegen Merleau-Ponty, der im Frankreich der fünfziger Jahre für ein leiblich fundiertes Ineinander von Subjektivität und Weltlichkeit der Phänomene plädiert. Merleau-Pontys Auflösung der Differenz von Erleben und Phänomenalem in das Sinnliche als ursprüngliche Seinsweise sowohl der Welt als auch der Sinnlichkeit bedeutet jedoch für Jan Patoka eine wichtige Inspiration für seinen Ansatz einer a-subjektiven Phänomenologie, in dem sich Grundmomente der französischen und deutschen Phänomenologie begegnen. Eine eigene Gestalt erhält die Problematik des Erscheinens bei Marc Richir, bei dem sich diese Fäden zusammenweben. Einen anderen Schnittpunkt stellt die Phänomenologie- Kritik von Emmanuel Levinas dar, von der aus eine Erneuerung des phänomenologischen Fragens nach der Phänomenalität einsetzt, wie sie vor allem im Werk von Jean-Luc Marion begegnet. Ausblenden

Phenomenology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

One commonplace assumption in Continental philosophy circles today is that there is an unbridgeable gap between, on the one hand, Kantian and post-Kantian critical tradition in German thought and, on the other, Husserlian and post-Husserlian phenomenology.Phenomena-Critique-Logos challenges this assumption and endeavors to work out a systematic concept of critique, using the resources of phenomenology itself. In this innovative work, Michael Marder argues that critique is situated at the very heart of phenomenology, traversing the Husserlian oeuvre and regulating the relation between phenomena and logos, conceived in its multiple senses as reason, logic, a mode of thinking, study and word. Having outlined the features of phenomenology as a kind of critique, Marder goes on to demonstrate how it is applicable to ontology, ethics and politics, through sustained readings of Heidegger, Levinas, Arendt and Derrida, as well as through an original elaboration of phenomenological critique pertinent to each of these fields.

Phenomenology

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Phenomenology.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Phenomenological Perspectives on Place, Lifeworlds and Lived Emplacement is a compilation of seventeen previously published articles and chapters by David Seamon, one of the foremost researchers in environmental, architectural, and place phenomenology. These entries discuss such topics as body-subject, the lived body, place ballets, environmental serendipity, homeworlds, and the pedagogy of place and placemaking. The volume's chapters are broken into three parts. Part I includes four entries that consider what phenomenology offers studies of place and placemaking. These chapters illustrate the theoretical and practical value of phenomenological concepts like lifeworld, natural attitude, and bodily actions in place. Part II incorporates five chapters that aim to understand place and lived emplacement phenomenologically. Topics covered include environmental situatedness, architectural phenomenology, environmental serendipity, and the value of phenomenology for a pedagogy of place and placemaking. Part III presents a number of explications of real-world places and place experience, drawing on examples from photography (André Kertész's Meudon), television (Alan Ball's Six Feet Under), film (John Sayles' Limbo and Sunshine State), and imaginative literature (Doris Lessing's The Four-Gated City and Louis Bromfield's The World We Live in).Seamon is a major figure in environment-behavior research, particularly as that work has applied value for design professionals. This volume will be of interest to geographers, environmental psychologists, architects, planners, policymakers, and other researchers and practitioners concerned with place, place experience, place meaning, and place making.

Phenomenology