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Australian Aboriginal literature, once relegated to the margins of Australian literary studies, now receives both national and international attention. Not only has the number of published texts by contemporary Australian Aboriginals risen sharply, but scholars and publishers have also recently begun recovering earlier published and unpublished Indigenous works. Writing by Australian Aboriginals is making a decisive impression in fiction, autobiography, biography, poetry, film, drama, and music, and has recently been anthologized in Oceana and North America. Until now, however, there has been no comprehensive critical companion that contextualizes the Aboriginal canon for scholars, researchers, students, and general readers. This international collection of eleven original essays fills this gap by discussing crucial aspects of Australian Aboriginal literature and tracing the development of Aboriginal literacy from the oral tradition up until today, contextualizing the work of Aboriginal artists and writers and exploring aspects of Aboriginal life writing such as obstacles toward publishing, questions of editorial control (or the lack thereof), intergenerational and interracial collaborations combining oral history and life writing, and the pros and cons of translation into European languages. Contributors: Katrin Althans, Maryrose Casey, Danica Cerce, Stuart Cooke, Paula Anca Farca, Michael R. Griffiths, Oliver Haag, Martina Horakova, Jennifer Jones, Nicholas Jose, Andrew King, Jeanine Leane, Theodore F. Sheckels, Belinda Wheeler. Belinda Wheeler is Assistant Professor of English at Paine College, Augusta, Georgia.

Littérature australienne --- Australian literature --- Auteurs aborigènes d'Australie --- Histoire et critique. --- Aboriginal Australian authors --- History and criticism. --- English literature --- Aboriginal Canon. --- Australian Aboriginal Literature. --- Australian Aboriginal literature. --- Australian culture. --- Autobiography. --- Biography. --- Drama. --- Fiction. --- Film. --- Indigenous Works. --- Music. --- Poetry. --- Translation. --- cultural diversity. --- cultural heritage. --- indigenous writing. --- literary studies. --- literature anthology. --- oral tradition. --- Australien

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Austronesian literature

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Since the mid-1980s there has been a sharp rise in the number of literary publications by Indigenous Australians and in the readership and impact of those works. One contemporary Aboriginal Australian author who continues to make a contribution to both the Australian and the global canon is Kim Scott (1957-). Scott has won many awards, including Australia's highest, the prestigious Miles Franklin Award, for his novels Benang (in 2000) and That Deadman Dance(in 2011). Scott has also published in other literary genres, including poetry, the short story, and children's literature, and he has written and worked professionally on Indigenous health issues. Despite Scott's national and international acclaim, there is currently no comprehensive critical companion that contextualizes his work for scholars, students, and general readers. A Companion to the Works of Kim Scott fills this void by providing a collection of eleven original essays focusing on Scott's novels, short stories, poetry, and his work with the Wirlomin Noongar Language and Stories Project and Indigenous health. The companion also includes an original interview with the author.

Australian literature --- Littérature australienne --- Aboriginal Australian authors --- History and criticism. --- Auteurs aborigènes d'Australie --- Histoire et critique. --- Scott, Kim, --- Scott, Kim --- Criticism and interpretation. --- Critique et interprétation. --- Littérature australienne --- Auteurs aborigènes d'Australie --- Critique et interprétation.

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