TY - BOOK ID - 8834551 TI - Eisenstein on the audiovisual: the montage of music, image and sound in cinema AU - Robertson, Robert AU - Eisenstein, Sergej M. PY - 2009 SN - 9781845118396 1845118391 PB - London Tauris Academic Studies DB - UniCat KW - Sound in motion pictures. KW - Motion picture music KW - Filmmusik KW - Audiotechnik KW - Film KW - Geräusch KW - Photomontage KW - Eisenstein KW - Sound in motion pictures KW - Analysis, appreciation. KW - Sergei KW - 1898-1948 KW - Analysis, appreciation KW - Eisenstein, Sergei, KW - Ėjzenštejn, Sergej M. KW - Criticism and interpretation. KW - film KW - filmtheorie KW - geluid KW - filmmuziek KW - filmtechniek KW - montage KW - Eisenstein Sergei KW - twintigste eeuw KW - 791.471 EISENSTEIN KW - Eisenstein, Sergei, 1898-1948 -- Criticism and interpretation. KW - Motion picture music -- Analysis, appreciation. KW - Music, Dance, Drama & Film KW - Filmmusik. KW - Audiotechnik. KW - Film. KW - Geräusch. KW - Photomontage. KW - 1898-1948. UR - https://www.unicat.be/uniCat?func=search&query=sysid:8834551 AB - The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film._x000D__x000D_Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiov ER -