TY - BOOK ID - 85755662 TI - The renaissance restored : paintings conservation and the birth of modern art history in nineteenth-century europe PY - 2021 SN - 9781606066966 9781606067222 160606696X PB - Los Angeles : Getty Conservation Institute, DB - UniCat KW - Painting, Renaissance KW - Painting, Italian KW - Painting KW - Museum conservation methods KW - Art KW - Art restorers KW - Art museums KW - Conservation and restoration KW - History KW - Historiography KW - Museology KW - Conservation. Restoration KW - Art styles KW - History as a science KW - easel paintings [paintings by form] KW - art museums [institutions] KW - Italian Renaissance-Baroque styles KW - anno 1800-1899 KW - Europe KW - Art collections KW - Art galleries KW - Galleries, Art KW - Galleries, Public art KW - Picture-galleries KW - Public art galleries KW - Public galleries (Art museums) KW - Arts facilities KW - Museums KW - Restorers, Art KW - Art, Occidental KW - Art, Visual KW - Art, Western (Western countries) KW - Arts, Fine KW - Arts, Visual KW - Fine arts KW - Iconography KW - Occidental art KW - Visual arts KW - Western art (Western countries) KW - Arts KW - Aesthetics KW - Conservation methods, Museum KW - Museum techniques KW - Oil painting KW - Painting, Primitive KW - Paintings KW - Graphic arts KW - Italian painting KW - Paintings, Renaissance KW - Renaissance painting KW - Galleries and museums KW - Art, Primitive KW - historiografie van de kunstgeschiedenis UR - https://www.unicat.be/uniCat?func=search&query=sysid:85755662 AB - "This volume charts the intersections between art history and art conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian, framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe; later chapters recount how paintings conservation was integrated into institutional settings at the National Gallery in London under Charles Eastlake and at the Kaiser-Friedrich-Museum in Berlin under Wilhelm Bode. Using period texts, unpublished archival materials, and historical photographs, the book proposes a new approach to conservation history, object-focused yet enriched by consideration of a wider cultural context"-- ER -