TY - BOOK ID - 85740333 TI - But still, it turns : recent photography from the world AU - Graham, Paul AU - Penman, Ian AU - Bengal, Rebecca AU - Ross, RaMell PY - 2021 SN - 9781912339952 1912339951 PB - London MACK DB - UniCat KW - Photography, Artistic KW - fotografie KW - documentaire fotografie KW - landschapsfotografie KW - portretfotografie KW - eenentwintigste eeuw KW - 77.039 KW - Artistic photography KW - Photography KW - Photography, Pictorial KW - Pictorial photography KW - Art KW - Aesthetics KW - Exhibitions KW - documentary photography KW - Video art KW - History KW - Photographie KW - Brutti, Emanuele KW - Casotti, Piergiorgio KW - Choi, Richard KW - Halpern, Gregory KW - Hatleberg, Curran KW - Potter, Kristine KW - Ross, RaMell KW - Winship, Vanessa KW - Wolukau-Wanambwa, Stanley KW - Photography, Artistic - 21st century - Exhibitions KW - Video art - History - 21st century - Exhibitions KW - Halpern, Gregory 1977 KW - -Hatleberg, Curran UR - https://www.unicat.be/uniCat?func=search&query=sysid:85740333 AB - Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form. ER -