TY - BOOK ID - 85472211 TI - Liszt's transcultural modernism and the Hungarian-gypsy tradition PY - 2011 SN - 1580467849 1580463231 PB - Rochester : University of Rochester Press, DB - UniCat KW - Romanies KW - Music KW - Cross-cultural studies KW - Bohemians (Romanies) KW - Gipsies KW - Gitanos KW - Gypsies KW - Kalderash KW - Manush KW - Roma (People) KW - Romani KW - Sinti KW - Nomads KW - Comparison of cultures KW - Inter-cultural studies KW - Intercultural studies KW - Trans-cultural studies KW - Transcultural studies KW - Culture KW - Ethnology KW - Social sciences KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Folk-songs, Gipsy KW - Folk-songs, Gypsy KW - Gipsy music KW - Gypsy music KW - Roma music KW - Sinti music KW - Flamenco music KW - History and criticism KW - Methodology KW - Liszt, Franz, KW - Criticism and interpretation KW - Hungary KW - Macaristan KW - Vengerskai︠a︡ Narodnai︠a︡ Respublika KW - Magyar Népköztársaság KW - Ungern KW - Magyar Tanácsköztársaság KW - Hungarian Republic KW - Magyar Köztársaság (Republic) KW - Oungaria KW - Unkari KW - Ungarn KW - Hongrie KW - Ungaria KW - Ungheria KW - Hungría KW - Magyarország (Republic) KW - Maďarsko KW - Węgry KW - Vengrii︠a︡ KW - Hongarije KW - VNR KW - V.N.R. 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KW - Criticism and interpretation. KW - Liszt, Franz KW - List, Frant︠s︡, KW - Liszt, Ferenc, KW - Liszt, F. KW - Liszt, Franciszek, KW - List, Ferent︠s︡, KW - Liszt, Francesco, KW - Lists, F., KW - Liszt, Ferencz, KW - Liszt, Francisco, KW - Franz Liszt. KW - Hungarian Rhapsodies. KW - cultural identities. KW - modern technology. KW - modernism. KW - modernist aesthetics. KW - music analyses. KW - transcultural approach. KW - verbunkos. UR - https://www.unicat.be/uniCat?func=search&query=sysid:85472211 AB - Some of Franz Liszt's most renowned pieces -- most famously his Hungarian Rhapsodies -- are written in a nineteenth-century Hungarian style known as <I>verbunkos</I>. Closely associated with the virtuosic playing tradition of the Hungarian-Gypsy band, the meaning and uses of this style in Liszt's music have been widely taken for granted and presented as straightforward. Taking a novel transcultural approach to nineteenth-century modernism, Shay Loya presents a series of critiques and sensitive music analyses that demonstrate how the <I>verbunkos</I> idiom, rich and artful in itself, interactedin myriad ways with Liszt's multiple cultural identities, compositional techniques, and modernist aesthetics. Even supposedly familiar works such as the Rhapsodies emerge in a new light, and more startlingly, we find out how the idiom inhabits and shapes works that bear no outward marks of nationality or ethnicity. Particularly surprising is its role in the famously enigmatic compositions of Liszt's old age, such as <I>Nuages gris</I> and <I>Bagatelle sans tonalit�</I>. <BR><BR> We are pleased to announce that Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition is one of twowinners of the 2014 Alan Walker Book Award, given by the American Liszt Society.<BR><BR> Shay Loya is a Lecturer at City University London and is a board member of the Society for Music Analysis (UK). ER -