TY - BOOK ID - 85462220 TI - The Segovia manuscript AU - Fuhrmann, Wolfgang AU - Urchueguía, Cristina PY - 2019 SN - 9781783274635 1783274638 9781787445512 1787445518 PB - Woodbridge, Suffolk, UK ; Rochester, NY The Boydell Press, an imprint of Boydell & Brewer Ltd DB - UniCat KW - Music KW - History and criticism KW - Manuscripts KW - History. KW - History and criticism. KW - Cancionero musical de la Catedral de Segovia. KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Cancionero musical de Segovia KW - Cancionero de la Catedral de Segovia KW - Cultural Heritage. KW - European Heritage. KW - European Musical Repertory. KW - Historical Records. KW - Medieval Manuscripts. KW - Music History. KW - Music Manuscripts. KW - Music Performance. KW - Musical Traditions. KW - Musicological Research. KW - Musicology. KW - Segovia Manuscript. KW - Spanish Music. UR - https://www.unicat.be/uniCat?func=search&query=sysid:85462220 AB - The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function. ER -