TY - BOOK ID - 8506656 TI - Alessandro Baudi di Vesme e la scoperta dell'arte in Piemonte : erudizione, musei e tutela in Italia tra Otto e Novecento PY - 2015 SN - 9788867053834 PB - Ledizioni DB - UniCat KW - Art KW - Art, Italian KW - Visual Arts - General KW - Visual Arts KW - Art, Architecture & Applied Arts KW - History KW - Conservation and restoration KW - Collectors and collecting KW - Italian art KW - Bamboccianti (Group of artists) KW - Corrente (Group of artists) KW - Cracking Art (Group of artists) KW - Fronte nuovo delle arti (Group of artists) KW - Geometria e ricerca (Group of artists) KW - Girasole (Group of artists) KW - Gruppo 1 (Group of artists) KW - Gruppo Aniconismo dialettico (Group of artists) KW - Gruppo di Como (Group of artists) KW - Gruppo di Scicli (Group of artists) KW - Gruppo Enne (Group of artists) KW - Gruppo Forma uno (Group of artists) KW - Italiens de Paris (Group of artists) KW - Mutus Liber (Group of artists) KW - Novecento italiano (Group of artists) KW - Nuovi-nuovi (Group of artists) KW - Origine (Group of artists) KW - Sei pittori di Torino (Group of artists) KW - Transvisionismo (Group of artists) KW - Art, Occidental KW - Art, Visual KW - Art, Western (Western countries) KW - Arts, Fine KW - Arts, Visual KW - Fine arts KW - Iconography KW - Occidental art KW - Visual arts KW - Western art (Western countries) KW - Arts KW - Aesthetics KW - Art, Primitive KW - Baudi di Vesme, Alessandro, KW - De Vesme, Alexandre, KW - Di Vesme, Alessandro Baudi, KW - Vesme, A. de KW - Vesme, Alessandro Baudi di, KW - Vesme, Alexandre de, KW - piemonte KW - arte UR - https://www.unicat.be/uniCat?func=search&query=sysid:8506656 AB - Like Adolfo Venturi and Corrado Ricci, Alessandro Baudi of Vesme (1854-1923) belonged to the last generation of scholars and self-taught officials who worked, between the nineteenth and twentieth centuries, to the delicate process of affirmation of the historical-artistic discipline in Italy. Historical director of the Royal Pinacoteca of Turin and first superintendent of galleries and art classes in Piedmont and Liguria, Vesme added to his institutional commitments an intense activity of study of the local figurative culture with a privileged look on the events of the painting of the Four and the sixteenth century, in full alignment with the guidelines of the European historiographic debate of those years. Underlined by a perspective of cultural rehabilitation aimed at redeeming the subalpine region from the ranks of the suburbs of art, those investigations gave rise to a project of philological edition of the sources that still today is considered the documentary reference par excellence in the history of the arts in Piedmont: Schme Vesme, published posthumously between 1963 and 1982. The volume traces the critical and professional profile of their author through the thread of mutual interaction between the research plans and the protection initiatives promoted by him, relating and legitimizing his individual experiences in the light of the comparison with the Italian and foreign interlocutors and the requests, methods and peculiarities of the Piedmontese context. ER -