TY - BOOK ID - 7982443 TI - All About Music : The Complete Ontology: Realities, Semiotics, Communication, and Embodiment AU - Mazzola, Guerino. AU - Mannone, Maria. AU - Pang, Yan. AU - O'Brien, Margaret. AU - Torunsky, Nathan. PY - 2016 SN - 3319473344 3319473336 9783319473338 PB - Cham : Springer International Publishing : Imprint: Springer, DB - UniCat KW - Computer science. KW - Music. KW - Computer science KW - Artificial intelligence. KW - Application software. KW - Mathematics. KW - Computer Science. KW - Computer Appl. in Arts and Humanities. KW - Mathematics in Music. KW - Mathematics of Computing. KW - Artificial Intelligence (incl. Robotics). KW - Math KW - Application computer programs KW - Application computer software KW - Applications software KW - Apps (Computer software) KW - AI (Artificial intelligence) KW - Artificial thinking KW - Electronic brains KW - Intellectronics KW - Intelligence, Artificial KW - Intelligent machines KW - Machine intelligence KW - Thinking, Artificial KW - Computer mathematics KW - Discrete mathematics KW - Electronic data processing KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Informatics KW - Mathematics KW - Music KW - Music $ KW - Communication in art KW - Psychological aspects KW - Semiotics KW - Data processing KW - Science KW - Computer software KW - Bionics KW - Cognitive science KW - Digital computer simulation KW - Logic machines KW - Machine theory KW - Self-organizing systems KW - Simulation methods KW - Fifth generation computers KW - Neural computers KW - Information systems. KW - Artificial Intelligence. KW - Computer science—Mathematics. KW - Philosophy and aesthetics. UR - https://www.unicat.be/uniCat?func=search&query=sysid:7982443 AB - This book explains music’s comprehensive ontology, its way of existence and processing, as specified in its compact characterization: music embodies meaningful communication and mediates physically between its emotional and mental layers. The book unfolds in a basic discourse in everyday language that is accessible to everybody who wants to understand what this topic is about. Musical ontology is delayed in its fundamental dimensions: its realities, its meaningful communication, and its embodied utterance from musical creators to an interested audience. The authors' approach is applicable to every musical genre and is scientific, the book is suitable for non-musicians and non-scientists alike. ER -