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TY  - BOOK
ID  - 77861956
TI  - The films of Woody Allen
PY  - 2002
SN  - 1107132479 1280418478 0511179618 1139147757 0511064330 0511058004 0511306555 0511615256 0511072791 9780511064333 9780511615252 9786610418473 6610418470 9780511072796 0521810914 9780521810913 0521009294 9780521009294 0511099614
PB  - Cambridge ; New York : Cambridge University Press,
DB  - UniCat
KW  - Allen, Woody,
KW  - Criticism and interpretation.
KW  - Allen, Woody
KW  - Konigsberg, Allen Stewart,
KW  - Konigsberg, Allan Stewart,
KW  - Allen, Heywood,
KW  - Allen, Vudi,
KW  - Ален, Вудзі,
KW  - Alen, Vudzi,
KW  - Алън, Уди,
KW  - Alŭn, Udi,
KW  - Кьонигсберг, Алън Стюарт,
KW  - Konigsberg, Alŭn Sti︠u︡art,
KW  - Αλεν, Γούντι,
KW  - Alen, Gounti,
KW  - Κένιγκσμπεργκ, Αλεν Στιούαρτ,
KW  - Keninksmpernk, Alen Stiouart,
KW  - Аллен, Вуди,
KW  - Aellŏn, Udi,
KW  - 앨런, 우디,
KW  - Alen, Ṿudi,
KW  - Allens, Vudijs,
KW  - Konigsbergs, Elens Stjuarts,
KW  - Ален, Вуди,
KW  - Кенигсберг, Ален Стјуарт,
KW  - Kenigsberg, Alen Stjuart,
KW  - ウディ・アレン,
KW  - Aren, Udi,
KW  - Конигсберг, Аллен Стюарт,
KW  - Konigsberg, Allen Sti︠u︡art,
KW  - Аллен, Вуді,
KW  - Коніґсберґ, Аллен Стюарт,
KW  - עלען, וואדי,
KW  - 伍迪·艾伦,
KW  - Ailun, Wudi,
KW  - Allen, woody (1935-....)
UR  - https://www.unicat.be/uniCat?func=search&query=sysid:77861956
AB  - The Films of Woody Allen was the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special 'aura' about him remains intact despite the director's concerted efforts to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and 'sensual realism' that differs profoundly from the moral sensibility of his earlier work.
ER  -